The Moving Finger - Agatha Christie [17]
I leaned forward:
“Mrs. Baker,” I said, “have you any idea, any idea at all, who is writing these abominable letters?”
To my great surprise she nodded her head.
“We’ve got our idea, sir. Yes, we’ve all got a very fair idea.”
“Who is it?”
I had fancied she might be reluctant to mention a name, but she replied promptly:
“’Tis Mrs. Cleat—that’s what we all think, sir. ’Tis Mrs. Cleat for sure.”
I had heard so many names this morning that I was quite bewildered. I asked:
“Who is Mrs. Cleat?”
Mrs. Cleat, I discovered, was the wife of an elderly jobbing gardener. She lived in a cottage on the road leading down to the Mill. My further questions only brought unsatisfactory answers. Questioned as to why Mrs. Cleat should write these letters, Mrs. Baker would only say vaguely that “’T would be like her.”
In the end I let her go, reiterating once more my advice to go to the police, advice which I could see Mrs. Baker was not going to act upon. I was left with the impression that I had disappointed her.
I thought over what she had said. Vague as the evidence was, I decided that if the village was all agreed that Mrs. Cleat was the culprit, then it was probably true. I decided to go and consult Griffith about the whole thing. Presumably he would know this Cleat woman. If he thought advisable, he or I might suggest to the police that she was at the bottom of this growing annoyance.
I timed my arrival for about the moment I fancied Griffith would have finished his “Surgery.” When the last patient had left, I went into the surgery.
“Hallo, it’s you, Burton.”
I outlined my conversation with Mrs. Baker, and passed on to him the conviction that this Mrs. Cleat was responsible. Rather to my disappointment, Griffith shook his head.
“It’s not so simple as that,” he said.
“You don’t think this Cleat woman is at the bottom of it?”
“She may be. But I should think it most unlikely.”
“Then why do they all think it is her?”
He smiled.
“Oh,” he said, “you don’t understand. Mrs. Cleat is the local witch.”
“Good gracious!” I exclaimed.
“Yes, sounds rather strange nowadays, nevertheless that’s what it amounts to. The feeling lingers, you know, that there are certain people, certain families, for instance, whom it isn’t wise to offend. Mrs. Cleat came from a family of ‘wise women.’ And I’m afraid she’s taken pains to cultivate the legend. She’s a queer woman with a bitter and sardonic sense of humour. It’s been easy enough for her, if a child cut its finger, or had a bad fall, or sickened with mumps, to nod her head and say, ‘Yes, he stole my apples last week’ or ‘He pulled my cat’s tail.’ Soon enough mothers pulled their children away, and other women brought honey or a cake they’d baked to give to Mrs. Cleat so as to keep on the right side of her so that she shouldn’t ‘ill wish’ them. It’s superstitious and silly, but it happens. So naturally, now, they think she’s at the bottom of this.”
“But she isn’t?”
“Oh, no. She isn’t the type. It’s—it’s not so simple as that.”
“Have you any idea?” I looked at him curiously.
He shook his head, but his eyes were absent.
“No,” he said. “I don’t know at all. But I don’t like it, Burton—some harm is going to come of this.”
II
When I got back to the house I found Megan sitting on the veranda steps, her chin resting on her knees.
She greeted me with her usual lack of ceremony.
“Hallo,” she said. “Do you think I could come to lunch?”
“Certainly,” I said.
“If it’s chops, or anything difficult like that and they won’t go round, just tell me,” shouted Megan as I went round to apprize Partridge of the fact that there would be three to lunch.
I fancy that Partridge sniffed. She certainly managed to convey without saying a word of any kind, that she didn’t think much of that Miss Megan.
I went back to the veranda.
“Is it quite all right?” asked Megan anxiously.
“Quite all right,” I said. “Irish stew.”
“Oh well, that’s rather like dogs’ dinner anyway, isn’t it? I mean it’s mostly potato and flavour.”
“Quite,” I said.
I took out my cigarette case and offered