The Moving Finger - Agatha Christie [3]
And then, somewhere in seventeen hundred and something, the tide of progress swept Lymstock into a backwater. The castle crumbled. Neither railways nor main roads came near Lymstock. It turned into a little provincial market town, unimportant and forgotten, with a sweep of moorland rising behind it, and placid farms and fields ringing it round.
A market was held there once a week, on which day one was apt to encounter cattle in the lanes and roads. It had a small race meeting twice a year which only the most obscure horses attended. It had a charming High Street with dignified houses set flat back, looking slightly incongruous with their ground-floor windows displaying buns or vegetables or fruit. It had a long straggling draper’s shop, a large and portentous ironmonger’s, a pretentious post office, and a row of straggly indeterminate shops, two rival butchers and an International Stores. It had a doctor, a firm of solicitors, Messrs. Galbraith, Galbraith and Symmington, a beautiful and unexpectedly large church dating from fourteen hundred and twenty, with some Saxon remains incorporated in it, a new and hideous school, and two pubs.
Such was Lymstock, and urged on by Emily Barton, anybody who was anybody came to call upon us, and in due course Joanna, having bought a pair of gloves and assumed a velvet beret rather the worse for wear, sallied forth to return them.
To us, it was all quite novel and entertaining. We were not there for life. It was, for us, an interlude. I prepared to obey my doctor’s instructions and get interested in my neighbours.
Joanna and I found it all great fun.
I remembered, I suppose, Marcus Kent’s instructions to enjoy the local scandals. I certainly didn’t suspect how these scandals were going to be introduced to my notice.
The odd part of it was that the letter, when it came, amused us more than anything else.
It arrived, I remember, at breakfast. I turned it over, in the idle way one does when time goes slowly and every event must be spun out to its full extent. It was, I saw, a local letter with a typewritten address.
I opened it before the two with London postmarks, since one of them was a bill and the other from a rather tiresome cousin.
Inside, printed words and letters had been cut out and gummed to a sheet of paper. For a minute or two I stared at the words without taking them in. Then I gasped.
Joanna, who was frowning over some bills, looked up.
“Hallo,” she said, “what is it? You look quite startled.”
The letter, using terms of the coarsest character, expressed the writer’s opinion that Joanna and I were not brother and sister.
“It’s a particularly foul anonymous letter,” I said.
I was still suffering from shock. Somehow one didn’t expect that kind of thing in the placid backwater of Lymstock.
Joanna at once displayed lively interest.
“No? What does it say?”
In novels, I have noticed, anonymous letters of a foul and disgusting character are never shown, if possible, to women. It is implied that women must at all cost be shielded from the shock it might give their delicate nervous systems.
I am sorry to say it never occurred to me not to show the letter to Joanna. I handed it to her at once.
She vindicated my belief in her toughness by displaying no emotion but that of amusement.
“What an awful bit of dirt! I’ve always heard about anonymous letters, but I’ve never seen one before. Are they always like this?”
“I can’t tell you,” I said. “It’s my first experience, too.”
Joanna began to giggle.
“You must have been right about my makeup, Jerry. I suppose they think I just must be an abandoned female!”
“That,” I said, “coupled with the fact that our father was a tall, dark lantern-jawed man and our mother a fair-haired blue-eyed little creature, and that I take after him and you take after her.”
Joanna nodded thoughtfully.
“Yes, we’re not a bit alike. Nobody would take us for brother and sister.”
“Somebody certainly hasn’t,” I said with feeling.
Joanna said she thought it was