The Mysteries of Udolpho [269]
and this he pursued; but the sound of her steps soon sunk in distance, while he, less acquainted with the passage, was obliged to proceed through the dark, with caution, lest he should fall down a flight of steps, such as in this extensive old castle frequently terminated an avenue. This passage at length brought Emily to the corridor, into which her own chamber opened, and, not hearing any footstep, she paused to take breath, and consider what was the safest design to be adopted. She had followed this passage, merely because it was the first that appeared, and now that she had reached the end of it, was as perplexed as before. Whither to go, or how further to find her way in the dark, she knew not; she was aware only that she must not seek her apartment, for there she would certainly be sought, and her danger increased every instant, while she remained near it. Her spirits and her breath, however, were so much exhausted, that she was compelled to rest, for a few minutes, at the end of the passage, and still she heard no steps approaching. As thus she stood, light glimmered under an opposite door of the gallery, and, from its situation, she knew, that it was the door of that mysterious chamber, where she had made a discovery so shocking, that she never remembered it but with the utmost horror. That there should be light in this chamber, and at this hour, excited her strong surprise, and she felt a momentary terror concerning it, which did not permit her to look again, for her spirits were now in such a state of weakness, that she almost expected to see the door slowly open, and some horrible object appear at it. Still she listened for a step along the passage, and looked up it, where, not a ray of light appearing, she concluded, that Verezzi had gone back for the lamp; and, believing that he would shortly be there, she again considered which way she should go, or rather which way she could find in the dark.
A faint ray still glimmered under the opposite door, but so great, and, perhaps, so just was her horror of that chamber, that she would not again have tempted its secrets, though she had been certain of obtaining the light so important to her safety. She was still breathing with difficulty, and resting at the end of the passage, when she heard a rustling sound, and then a low voice, so very near her, that it seemed close to her ear; but she had presence of mind to check her emotions, and to remain quite still; in the next moment, she perceived it to be the voice of Verezzi, who did not appear to know, that she was there, but to have spoken to himself. 'The air is fresher here,' said he: 'this should be the corridor.' Perhaps, he was one of those heroes, whose courage can defy an enemy better than darkness, and he tried to rally his spirits with the sound of his own voice. However this might be, he turned to the right, and proceeded, with the same stealing steps, towards Emily's apartment, apparently forgetting, that, in darkness, she could easily elude his search, even in her chamber; and, like an intoxicated person, he followed pertinaciously the one idea, that had possessed his imagination.
The moment she heard his steps steal away, she left her station and moved softly to the other end of the corridor, determined to trust again to chance, and to quit it by the first avenue she could find; but, before she could effect this, light broke upon the walls of the gallery, and, looking back, she saw Verezzi crossing it towards her chamber. She now glided into a passage, that opened on the left, without, as she thought, being perceived; but, in the next instant, another light, glimmering at the further end of this passage, threw her into new terror. While she stopped and hesitated which way to go, the pause allowed her to perceive, that it was Annette, who advanced, and she hurried to meet her: but her imprudence again alarmed Emily, on perceiving whom, she burst into a scream of joy, and it was some minutes, before she could be prevailed with to
A faint ray still glimmered under the opposite door, but so great, and, perhaps, so just was her horror of that chamber, that she would not again have tempted its secrets, though she had been certain of obtaining the light so important to her safety. She was still breathing with difficulty, and resting at the end of the passage, when she heard a rustling sound, and then a low voice, so very near her, that it seemed close to her ear; but she had presence of mind to check her emotions, and to remain quite still; in the next moment, she perceived it to be the voice of Verezzi, who did not appear to know, that she was there, but to have spoken to himself. 'The air is fresher here,' said he: 'this should be the corridor.' Perhaps, he was one of those heroes, whose courage can defy an enemy better than darkness, and he tried to rally his spirits with the sound of his own voice. However this might be, he turned to the right, and proceeded, with the same stealing steps, towards Emily's apartment, apparently forgetting, that, in darkness, she could easily elude his search, even in her chamber; and, like an intoxicated person, he followed pertinaciously the one idea, that had possessed his imagination.
The moment she heard his steps steal away, she left her station and moved softly to the other end of the corridor, determined to trust again to chance, and to quit it by the first avenue she could find; but, before she could effect this, light broke upon the walls of the gallery, and, looking back, she saw Verezzi crossing it towards her chamber. She now glided into a passage, that opened on the left, without, as she thought, being perceived; but, in the next instant, another light, glimmering at the further end of this passage, threw her into new terror. While she stopped and hesitated which way to go, the pause allowed her to perceive, that it was Annette, who advanced, and she hurried to meet her: but her imprudence again alarmed Emily, on perceiving whom, she burst into a scream of joy, and it was some minutes, before she could be prevailed with to