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The Mysteries of Udolpho [298]

By Root 4045 0
which awakens the fancy, and leads to poetry. The hum of bees alone broke the stillness around her, as, with other insects of various hues, they sported gaily in the shade, or sipped sweets from the fresh flowers: and, while Blanche watched a butter-fly, flitting from bud to bud, she indulged herself in imagining the pleasures of its short day, till she had composed the following stanzas.

THE BUTTER-FLY TO HIS LOVE

What bowery dell, with fragrant breath, Courts thee to stay thy airy flight; Nor seek again the purple heath, So oft the scene of gay delight?

Long I've watch'd i' the lily's bell, Whose whiteness stole the morning's beam; No fluttering sounds thy coming tell, No waving wings, at distance, gleam.

But fountain fresh, nor breathing grove, Nor sunny mead, nor blossom'd tree, So sweet as lily's cell shall prove,-- The bower of constant love and me.

When April buds begin to blow, The prim-rose, and the hare-bell blue, That on the verdant moss bank grow, With violet cups, that weep in dew;

When wanton gales breathe through the shade, And shake the blooms, and steal their sweets, And swell the song of ev'ry glade, I range the forest's green retreats:

There, through the tangled wood-walks play, Where no rude urchin paces near, Where sparely peeps the sultry day, And light dews freshen all the air.

High on a sun-beam oft I sport O'er bower and fountain, vale and hill; Oft ev'ry blushing flow'ret court, That hangs its head o'er winding rill.

But these I'll leave to be thy guide, And shew thee, where the jasmine spreads Her snowy leaf, where may-flow'rs hide, And rose-buds rear their peeping heads.

With me the mountain's summit scale, And taste the wild-thyme's honied bloom, Whose fragrance, floating on the gale, Oft leads me to the cedar's gloom.

Yet, yet, no sound comes in the breeze! What shade thus dares to tempt thy stay? Once, me alone thou wish'd to please, And with me only thou wouldst stray.

But, while thy long delay I mourn, And chide the sweet shades for their guile, Thou may'st be true, and they forlorn, And fairy favours court thy smile.

The tiny queen of fairy-land, Who knows thy speed, hath sent thee far, To bring, or ere the night-watch stand, Rich essence for her shadowy car:

Perchance her acorn-cups to fill With nectar from the Indian rose, Or gather, near some haunted rill, May-dews, that lull to sleep Love's woes:

Or, o'er the mountains, bade thee fly, To tell her fairy love to speed, When ev'ning steals upon the sky, To dance along the twilight mead.

But now I see thee sailing low, Gay as the brightest flow'rs of spring, Thy coat of blue and jet I know, And well thy gold and purple wing.

Borne on the gale, thou com'st to me; O! welcome, welcome to my home! In lily's cell we'll live in glee, Together o'er the mountains roam!

When Lady Blanche returned to the chateau, instead of going to the apartment of the Countess, she amused herself with wandering over that part of the edifice, which she had not yet examined, of which the most antient first attracted her curiosity; for, though what she had seen of the modern was gay and elegant, there was something in the former more interesting to her imagination. Having passed up the great stair-case, and through the oak gallery, she entered upon a long suite of chambers, whose walls were either hung with tapestry, or wainscoted with cedar, the furniture of which looked almost as antient as the rooms themselves; the spacious fire-places, where no mark of social cheer remained, presented an image of cold desolation; and the whole suite had so much the air of neglect and desertion, that it seemed, as if the venerable persons, whose portraits hung upon the walls, had been the last to inhabit them.

On leaving these rooms, she found herself in another gallery, one end of which was terminated by a back stair-case, and the other by a door, that seemed to communicate with the north-side of the chateau, but which being fastened,
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