The Mysteries of Udolpho [330]
was married, and is much more like you than the miniature.' When Emily expressed a strong desire to see this, Dorothee replied, that she did not like to open those rooms; but Emily reminded her, that the Count had talked the other day of ordering them to be opened; of which Dorothee seemed to consider much, and then she owned, that she should feel less, if she went into them with Emily first, than otherwise, and at length promised to shew the picture.
The night was too far advanced and Emily was too much affected by the narrative of the scenes, which had passed in those apartments, to wish to visit them at this hour, but she requested that Dorothee would return on the following night, when they were not likely to be observed, and conduct her thither. Besides her wish to examine the portrait, she felt a thrilling curiosity to see the chamber, in which the Marchioness had died, and which Dorothee had said remained, with the bed and furniture, just as when the corpse was removed for interment. The solemn emotions, which the expectation of viewing such a scene had awakened, were in unison with the present tone of her mind, depressed by severe disappointment. Cheerful objects rather added to, than removed this depression; but, perhaps, she yielded too much to her melancholy inclination, and imprudently lamented the misfortune, which no virtue of her own could have taught her to avoid, though no effort of reason could make her look unmoved upon the self-degradation of him, whom she had once esteemed and loved.
Dorothee promised to return, on the following night, with the keys of the chambers, and then wished Emily good repose, and departed. Emily, however, continued at the window, musing upon the melancholy fate of the Marchioness and listening, in awful expectation, for a return of the music. But the stillness of the night remained long unbroken, except by the murmuring sounds of the woods, as they waved in the breeze, and then by the distant bell of the convent, striking one. She now withdrew from the window, and, as she sat at her bed- side, indulging melancholy reveries, which the loneliness of the hour assisted, the stillness was suddenly interrupted not by music, but by very uncommon sounds, that seemed to come either from the room, adjoining her own, or from one below. The terrible catastrophe, that had been related to her, together with the mysterious circumstances, said to have since occurred in the chateau, had so much shocked her spirits, that she now sunk, for a moment, under the weakness of superstition. The sounds, however, did not return, and she retired, to forget in sleep the disastrous story she had heard.
CHAPTER IV
Now it is the time of night, That, the graves all gaping wide, Every one lets forth his spite, In the church-way path to glide. SHAKESPEARE
On the next night, about the same hour as before, Dorothee came to Emily's chamber, with the keys of that suite of rooms, which had been particularly appropriated to the late Marchioness. These extended along the north side of the chateau, forming part of the old building; and, as Emily's room was in the south, they had to pass over a great extent of the castle, and by the chambers of several of the family, whose observations Dorothee was anxious to avoid, since it might excite enquiry, and raise reports, such as would displease the Count. She, therefore, requested, that Emily would wait half an hour, before they ventured forth, that they might be certain all the servants were gone to bed. It was nearly one, before the chateau was perfectly still, or Dorothee thought it prudent to leave the chamber. In this interval, her spirits seemed to be greatly affected by the remembrance of past events, and by the prospect of entering again upon places, where these had occurred, and in which she had not been for so many years. Emily too was affected, but her feelings had more of solemnity, and less of fear. From the silence, into which reflection and expectation had thrown
The night was too far advanced and Emily was too much affected by the narrative of the scenes, which had passed in those apartments, to wish to visit them at this hour, but she requested that Dorothee would return on the following night, when they were not likely to be observed, and conduct her thither. Besides her wish to examine the portrait, she felt a thrilling curiosity to see the chamber, in which the Marchioness had died, and which Dorothee had said remained, with the bed and furniture, just as when the corpse was removed for interment. The solemn emotions, which the expectation of viewing such a scene had awakened, were in unison with the present tone of her mind, depressed by severe disappointment. Cheerful objects rather added to, than removed this depression; but, perhaps, she yielded too much to her melancholy inclination, and imprudently lamented the misfortune, which no virtue of her own could have taught her to avoid, though no effort of reason could make her look unmoved upon the self-degradation of him, whom she had once esteemed and loved.
Dorothee promised to return, on the following night, with the keys of the chambers, and then wished Emily good repose, and departed. Emily, however, continued at the window, musing upon the melancholy fate of the Marchioness and listening, in awful expectation, for a return of the music. But the stillness of the night remained long unbroken, except by the murmuring sounds of the woods, as they waved in the breeze, and then by the distant bell of the convent, striking one. She now withdrew from the window, and, as she sat at her bed- side, indulging melancholy reveries, which the loneliness of the hour assisted, the stillness was suddenly interrupted not by music, but by very uncommon sounds, that seemed to come either from the room, adjoining her own, or from one below. The terrible catastrophe, that had been related to her, together with the mysterious circumstances, said to have since occurred in the chateau, had so much shocked her spirits, that she now sunk, for a moment, under the weakness of superstition. The sounds, however, did not return, and she retired, to forget in sleep the disastrous story she had heard.
CHAPTER IV
Now it is the time of night, That, the graves all gaping wide, Every one lets forth his spite, In the church-way path to glide. SHAKESPEARE
On the next night, about the same hour as before, Dorothee came to Emily's chamber, with the keys of that suite of rooms, which had been particularly appropriated to the late Marchioness. These extended along the north side of the chateau, forming part of the old building; and, as Emily's room was in the south, they had to pass over a great extent of the castle, and by the chambers of several of the family, whose observations Dorothee was anxious to avoid, since it might excite enquiry, and raise reports, such as would displease the Count. She, therefore, requested, that Emily would wait half an hour, before they ventured forth, that they might be certain all the servants were gone to bed. It was nearly one, before the chateau was perfectly still, or Dorothee thought it prudent to leave the chamber. In this interval, her spirits seemed to be greatly affected by the remembrance of past events, and by the prospect of entering again upon places, where these had occurred, and in which she had not been for so many years. Emily too was affected, but her feelings had more of solemnity, and less of fear. From the silence, into which reflection and expectation had thrown