The Mysterious Affair at Styles - Agatha Christie [11]
We stumbled in together, Lawrence still holding his candle. Mrs Inglethorp was lying on the bed, her whole form agitated by violent convulsions, in one of which she must have overturned the table beside her. As we entered, however, her limbs relaxed, and she fell back upon the pillows.
John strode across the room and lit the gas. Turning to Annie, one of the housemaids, he sent her downstairs to the dining-room for brandy. Then he went across to his mother whilst I unbolted the door that gave on the corridor.
I turned to Lawrence, to suggest that I had better leave them now that there was no further need of my services, but the words were frozen on my lips. Never have I seen such a ghastly look on any man’s face. He was white as chalk, the candle he held in his shaking hand was sputtering on to the carpet, and his eyes, petrified with terror, or some such kindred emotion, stared fixedly over my head at a point on the further wall. It was as though he had seen something that turned him to stone. I instinctively followed the direction of his eyes, but I could see nothing unusual. The still feebly flickering ashes in the grate, and the row of prim ornaments on the mantelpiece, were surely harmless enough.
The violence of Mrs Inglethorp’s attack seemed to be passing. She was able to speak in short gasps.
‘Better now—very sudden—stupid of me—to lock myself in.’
A shadow fell on the bed and, looking up, I saw Mary Cavendish standing near the door with her arm around Cynthia. She seemed to be supporting the girl, who looked utterly dazed and unlike herself. Her face was heavily flushed, and she yawned repeatedly.
‘Poor Cynthia is quite frightened,’ said Mrs Cavendish in a low clear voice. She herself, I noticed, was dressed in her white land smock. Then it must be later than I thought. I saw that a faint streak of daylight was showing through the curtains of the windows, and that the clock on the mantelpiece pointed to close upon five o’clock.
A strangled cry from the bed startled me. A fresh access of pain seized the unfortunate old lady. The convulsions were of a violence terrible to behold. Everything was confusion. We thronged round her, powerless to help or alleviate. A final convulsion lifted her from the bed, until she appeared to rest upon her head and her heels, with her body arched in an extraordinary manner. In vain Mary and John tried to administer more brandy. The moments flew. Again the body arched itself in that peculiar fashion.
At that moment, Dr Bauerstein pushed his way authoritatively into the room. For one instant he stopped dead, staring at the figure on the bed, and, at the same instant, Mrs Inglethorp cried out in a strangled voice, her eyes fixed on the doctor:
‘Alfred—Alfred –’ Then she fell back motionless on the pillows.
With a stride, the doctor reached the bed, and seizing her arms worked them energetically, applying what I knew to be artificial respiration. He issued a few short sharp orders to the servants. An imperious wave of his hand drove us all to the door. We watched him, fascinated, though I think we all knew in our hearts that it was too late, and that nothing could be done now. I could see by the expression on his face that he himself had little hope.
Finally he abandoned his task, shaking his head gravely. At that moment, we heard footsteps outside, and Dr Wilkins, Mrs Inglethorp’s own doctor, a portly, fussy little man, came bustling in.
In a few words Dr Bauerstein explained how he had happened to be passing the lodge gates as the car came out, and had run up to the house as fast as he could, whilst the car went on to fetch Dr Wilkins. With a faint gesture of the hand, he indicated the figure on the bed.
‘Ve—ry sad. Ve—ry sad,’ murmured Dr Wilkins. ‘Poor dear lady. Always did far too much—far too much—against my advice. I warned her, ‘Take—it—easy.’ But no—her zeal for good works was too great. Nature rebelled. Na—ture—re—belled.’
Dr Bauerstein, I noticed, was watching the local doctor narrowly.