The Mystery of the Blue Train - Agatha Christie [25]
They were two single compartments with a communicating door between them. In the second of them a thin maid, whom Katherine had noticed at Victoria, was sitting very upright on the seat, clutching a big scarlet morocco case with the initials R. V. K. on it. Mrs. Kettering pulled the communicating door to and sank down on the seat. Katherine sat down beside her.
“I am in trouble and I don’t know what to do. There is a man whom I am fond of—very fond of indeed. We cared for each other when we were young, and we were thrust apart most brutally and unjustly. Now we have come together again.”
“Yes?”
“I—I am going to meet him now. Oh! I daresay you think it is all wrong, but you don’t know the circumstances. My husband is impossible. He has treated me disgracefully.”
“Yes,” said Katherine again.
“What I feel so badly about is this. I have deceived my father—it was he who came to see me off at Victoria today. He wishes me to divorce my husband, and, of course, he has no idea—that I am going to meet this other man. He would think it extraordinarily foolish.”
“Well, don’t you think it is?”
“I—I suppose it is.”
Ruth Kettering looked down at her hands; they were shaking violently.
“But I can’t draw back now.”
“Why not?”
“I—it is all arranged, and it would break his heart.”
“Don’t you believe it,” said Katherine robustly; “hearts are pretty tough.”
“He will think I have no courage, no strength of purpose.”
“It seems to me an awfully silly thing that you are going to do,” said Katherine. “I think you realize that yourself.”
Ruth Kettering buried her face in her hands. “I don’t know—I don’t know. Ever since I left Victoria I have had a horrible feeling of something—something that is coming to me very soon—that I can’t escape.”
She clutched convulsively at Katherine’s hand.
“You must think I am mad talking to you like this, but I tell you I know something horrible is going to happen.”
“Don’t think it,” said Katherine; “try to pull yourself together. You could send your father a wire from Paris, if you like, and he would come to you at once.”
The other brightened.
“Yes, I could do that. Dear old Dad. It is queer—but I never knew until today how terribly fond of him I am.” She sat up and dried her eyes with a handkerchief. “I have been very foolish. Thank you so much for letting me talk to you. I don’t know why I got into such a queer, hysterical state.”
She got up. “I am quite all right now. I suppose, really, I just needed someone to talk to. I can’t think now why I have been making such an absolute fool of myself.”
Katherine got up too.
“I am glad you feel better,” she said, trying to make her voice sound as conventional as possible. She was only too well aware that the aftermath of confidences is embarrassment. She added tactfully:
“I must be going back to my own compartment.”
She emerged into the corridor at the same time as the maid was also coming out from the next door. The latter looked towards Katherine, over her shoulder, and an expression of intense surprise showed itself on her face. Katherine turned also, but by that time whoever it was who had aroused the maid’s interest had retreated into his or her compartment, and the corridor was empty. Katherine walked down it to regain her own place, which was in the next coach. As she passed the end compartment the door opened and a woman’s face looked out for a moment and then pulled the door to sharply. It was a face not easily forgotten, as Katherine was to know when she saw it again. A beautiful face, oval and dark, very heavily made-up in a bizarre fashion. Katherine had a feeling that she had seen it before somewhere.
She regained her own compartment without other adventure and sat for some time thinking of the confidence which had just been made to her. She wondered idly who the woman in the mink coat might be, wondered also how the end of her story would turn out.
“If I had stopped anyone from making an idiot of themselves, I suppose I have done good work,” she thought to herself. “But who knows? That