The Mystery of the Blue Train - Agatha Christie [84]
“Is her name Ellen or Helen, Miss Viner? I thought—”
Miss Viner closed her eyes.
“I can sound my h’s, dear, as well as anyone, but Helen is not a suitable name for a servant. I don’t know what the mothers in the lower classes are coming to nowadays.”
The rain had cleared away when Knighton arrived at the cottage. The pale fitful sunshine shone down on it and burnished Katherine’s head as she stood in the doorway to welcome him. He came up to her quickly, almost boyishly.
“I say, I hope you don’t mind. I simply had to see you again soon. I hope the friend you are staying with does not mind.”
“Come in and make friends with her,” said Katherine. “She can be most alarming, but you will soon find that she has the softest heart in the world.”
Miss Viner was enthroned majestically in the drawing room, wearing a complete set of the cameos which had been so providentially preserved in the family. She greeted Knighton with dignity and an austere politeness which would have damped many men. Knighton, however, had a charm of manner which was not easily set aside, and after about ten minutes Miss Viner thawed perceptibly. Luncheon was a merry meal, and Ellen, or Helen, in a new pair of silk stockings devoid of ladders, performed prodigies of waiting. Afterwards, Katherine and Knighton went for a walk, and they came back to have tea tête-à-tête, since Miss Viner had gone to lie down.
When the car had finally driven off Katherine went slowly upstairs. A voice called her and she went in to Miss Viner’s bedroom.
“Friend gone?”
“Yes. Thank you so much for letting me ask him down.”
“No need to thank me. Do you think I am the sort of old curmudgeon who never will do anything for anybody?”
“I think you are a dear,” said Katherine affectionately.
“Humph,” said Miss Viner, mollified.
As Katherine was leaving the room she called her back.
“Katherine?”
“Yes.”
“I was wrong about that young man of yours. A man when he is making up to anybody can be cordial and gallant and full of little attentions and altogether charming. But when a man is really in love he can’t help looking like a sheep. Now, whenever that young man looked at you he looked like a sheep. I take back all I said this morning. It is genuine.”
Thirty-one
MR. AARONS LUNCHES
“Ah!” said Mr. Joseph Aarons appreciatively.
He took a long draught from his tankard, set it down with a sigh, wiped the froth from his lips, and beamed across the table at his host, Monsieur Hercule Poirot.
“Give me,” said Mr. Aarons, “a good Porterhouse steak and a tankard of something worth drinking, and anyone can have your French fallals and whatnots, your ordoovres and your omelettes and your little bits of quail. Give me,” he reiterated, “a Porterhouse steak.”
Poirot, who had just complied with this request, smiled sympathetically.
“Not that there is much wrong with a steak and kidney pudding,” continued Mr. Aarons. “Apple tart? Yes, I will take apple tart, thank you, Miss, and a jug of cream.”
The meal proceeded. Finally, with a long sigh, Mr. Aarons laid down his spoon and fork preparatory to toying with some cheese before turning his mind to other matters.
“There was a little matter of business I think you said, Monsieur Poirot,” he remarked. “Anything I can do to help you I am sure I shall be most happy.”
“That is very kind of you,” said Poirot. “I said to myself, ‘If you want to know anything about the dramatic profession there is one person who knows all that is to be known and that is my old friend, Mr. Joseph Aarons.’ ”
“And you don’t say far wrong,” said Mr. Aarons complacently; “whether it is past, present, or future, Joe Aarons is the man to come to.”
“Précisément. Now I want to ask you, Monsieur Aarons, what you know about a young woman called Kidd.”
“Kidd? Kitty Kidd?”
“Kitty