The Mystery of the Scar-faced Beggar - M. V. Carey [23]
a pi
p c
i ture is
i
s in
i pr
p od
o uctio
i n
o ,
, I wor
o k.
. Whe
h n it
i
isn’t,
, I don
o ’t.”
Jupe
p nod
o d
d ed
e .
. “I ha
h ve
e a fr
f ie
i nd
d wh
w o
h s
o e
s dad wor
o ks
s fo
f r
o the
h mov
o ie
i s.
s
. He doe
o s
s sp
s e
p cial
eff
f e
f cts.
s ”
“Wha
h t’s
s hi
h s
i
s name?” sa
s id
i the
h
e gir
i l.
l
. “Maybe I know him.”
“Cr
C ensh
s a
h w,” said Jupe.
She
h sh
s o
h o
o k
o he
h r he
h ad.
. “Doe
o sn
s ’t rin
i g a be
b ll
l .
l
. Guess
s
s we ha
h v
a en’t
t be
b e
e n
e
n on
o
n an
a y
n
y of
o
f th
t e
h
sa
s me pi
p c
i tur
u es.
s
. Tho
h s
o e
s sp
s e
p cia
i l
l eff
f e
f cts
s pe
p op
o l
p e
l are reall
l y
l so
s m
o ethi
h n
i g.
. Som
o etim
i es
s I thi
h n
i k I
I
shou
o ld
l fo
f r
o get abo
b u
o t ma
m keup
p and try to
o get in
i to
o eff
f e
f cts.
s
. On the
h ot
o h
t e
h r ha
h nd,
, I do
o ok
o ay
wit
i h
h makeup
u ,
p
, and I
I st
s il
i l
l
l ha
h ve tim
i e
e f
o
f r
o my cou
o rs
r e
s s.
s ”
“You
o ’re goi
o n
i g to
o sc
s ho
h o
o l
o ?
l ” sa
s id
i Jupe
p .
“Not
o exactl
t y
l .
. I take le
l ss
s o
s n
o s — actin
i g le
l ss
s o
s n
o s — wi
w t
i h
t
h Vl
V a
l d
a i
d m
i i
m r
i
r Du
D b
u r
b o
r n
o s
n k
s i
k .
i
. In
I
case …
. you
o know
o …
. I get
t a c
ha
h n
a ce fo
f r
o a
a pa
p r
a t.”
Jupe
p nod
o d
d ed
e .
. He t
rie
i d t
o
o lo
l o
o k
o sl
s e
l epy
p ,
, bu
b t hi
h s
i
s b
r
b ain
i was
s ra
r cin
i g.
“I guess
s
s eve
v rybo
b d
o y wan
a ts
s to
o act,” he said. “Bu
B t
u
t ma
m k
a e
k u
e p
u
p ca
c n
a
n be
b
e te
t r
e r
r i
r f
i i
f c
i .
c
. I
I sa
s w
a
w a
pi
p c
i ture la
l st
s
t week abo
b u
o t
u thi
h s
i
s guy who
h
o st
s ol
o e
l an id
i ol
o
l ou
o t of
o
f a templ
p e
l ,
, so
s
o he
h
e ha
h d
a
d a
a cu
c r
u s
r e
s
e
pu
p t on
o hi
h m
i .
m
“Oh,
h ” sa
s id
i the
h gir
i l.
l
. “One of
o
f tho
h s
o e
s .
. I su
s pp
p o
p se
s he
h turne
n d
e in
i to
o a tu
t r
u nip
i
p whe
h n the
h
moo
o n
o was
s fu
f ll
l ,
l
, or
o so
s m
o ethi
h n
i g.”
Jupe
p la
l ughe
h d
e .
. “He t
urne
n d in
i t
n o
o a sn
s a
n ke,
, on
o ly
l he
h st
s il
i l
l
l lo
l o
o k
o ed li
l k
i e a
a man
a .”
“Oh,
h
, yes,
s ” sa
s id
i the
h gir
i l.
l
. “Th
T e
h Inv
n a
v sio
i n
n of the Cobra Men, wasn’t
t it
i ?
t
? Th
T e
h y
e
y ma
m d
a e
d
e th
t a
h t
a
t
pi
p c
i ture fo
f r
o abo
b u
o t thi
h r
i ty-se
s ven cent
n s,
s
, bu
b t it
i wasn
s ’t
t to
t o
o
o ba
b d
a .
d
. I
I kn
k o
n w
o
w th
t e
h
e gu
g y
u
y wh
w o
h
o di
d d
i
d th
t e
h
e
makeup
p fo
f r
o the
h sn
s a
n kem
e an. Arnol
o d
l Hecka
k by
b .
. He’s
s re
r a
e l
a l
l y
l
y in
i t
n o
t
o th
t a
h t
a
t so
s r
o t
r
t of
o
f th
t i
h n
i g
n .
g
. On
O e
n
e of
o
f
the
h se
s days
s he
h ’ll
l
l get a big
i bu
b dget pi
p c
i ture and then he’ll
l
l pr
p ob
o a
b b
a l
b y
l
y be
b
e up
p fo
f r
o an
a
n Ac
A a
c d
a e
d m
e y
m
y
Award.”
“Did
i you
o ever do
o an
a y
n of
o
f tha
h t sp
s e
p cia
i l
l makeup?
p ” Jupe
p
e ask
s ed.
. “I mean, making
so
s m
o ebo
b d
o y lo
l o
o k
o li
l k
i e a ba
b t or
o a
a werew
e ol
o f
l
f or
o anyt
y hi
h n
i g li
l k
i e th
t a
h t?”
“I’ve made
e a fe
f w
w pe
p op
o l
p e
l lo
l o
o k
o ol
o d
l er tha
h n
n the
h y
y reall
l y
l are,” said the
e gi
g r
i l
r .
l
. “That takes
mor
o e tim
i e th
t a
h n regula
l r
r makeup,
p
, bu
b t it
i is
i n
s ’t really hard. I’ve
v
e ne
n v
e e
v r
e
r d
o
d n
o e
n
e a
a mo
m n
o s
n t
s e
t r