The Mystic Arts of Erasing All Signs of Death - Charlie Huston [42]
I shrugged.
—Sure, makes sense. I'm still not gonna sit there and wait for Dingbang to show and kick my ass again.
—Dingbang will be at the sit-down. To be disciplined. That was part of the deal. And even if someone comes by, the second they see the lights on, see someone in there, they'll take off. No one is looking to hurt anyone. What happened to you was the exception.
—Maaaaan. Crap.
He took me by the elbow.
—Web, this isn't a regular job. This is not nine to five. We clean blood and brains. We scrub shit. We vacuum maggot shells. We inhale gas from rotting corpses. This is not a regular job. And you will rarely be asked to do regular shit if you hang around. Sitting watch on the shop for the night, that's about as normal as it gets. Make sense?
I looked at Gabe, waiting to roll. I looked at the valet, waiting for us to get the fuck out of the way so he could bring the next car around. I looked at Po Sin, waiting for me to do or be something I didn't quite get.
I nodded.
—Makes sense.
He let go of my elbow.
—Then get in the van and get over there.
I got in the van.
—Web!
I looked out the window, he stood in the open passenger door of the Cruiser.
—Anything does happen, call nine one one.
I shook my head.
—Yeah, that I can manage.
He waved and got in the car. Gabe nodded at me through the windshield, and tossed me a slight salute.
The man paid to have peace of mind.
Where do I get that fucking job?
NO WOMAN'S TOOL
North of Ventura Boulevard, on a street off Burbank Boulevard near the 170 on the edge of North Hollywood, there's a strip of light industrial zoning. Cinder-block buildings that work sheet metal, rent construction equipment, rebuild tractor motors, salvage copper wiring from scavenged conduit, or simply seem to provide nothing but a center point around which to wrap chain link and concertina wire for large barking dogs to patrol without cease. Beat-to-hell late-model pickups, the same ones seen circling West Hollywood loaded with leaf blowers and weed whackers on weekday mornings, line the curbs. Telephone poles drop power lines to the corrugated roofs of the buildings.
In the middle of this glory I perched on a workbench and stared at a row of three coffin freezers stuffed full of rags, bits of bedding, carpet, sofa cushions, paper towels, and all the other debris soaked in every effluvium of the human body that gets removed from trauma scenes. Biohazardous material awaiting transfer to Saniwaste, then to be trucked to Utah, where such things are burned en masse.
Or so I read in the Saniwaste brochure I'd found on a rack in the office. It was that or the back issues of Entertainment Weekly in the john. Is it a shock the brochures won out?
I slid off the edge of the bench and walked around. I poked at a machine that, according to another brochure, recycled formalin. I wondered what they did with the specimens they removed from the formalin before they processed it. The eyeballs, biopsy tissues, amputations, perforated intestine and whatever that had been preserved in jars of the stuff, the material the brochure referred to as -pathology. I wandered to the window and looked across the street at one of the large dogs patrolling its patch of asphalt. Well, that would be one way of getting rid of the stuff. But they probably ship it to Utah with the rest of the waste.
I went back in the office and turned the TV on and flipped a couple channels and turned it off. I moved the mouse around on the computer, thought about looking at some porn, imagined the implications of jerking off in that particular environment, and discarded the idea. All I needed was another disturbing mental image running around my brain banging at the walls.
Thinking about disturbing mental images made me think about disturbing mental images.
That sucked.
I sat on the edge of the twin bed that was parked in the corner of the office doing duty as a cot. A regular cot being, one assumes, out of the question for Po