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The Mystic Arts of Erasing All Signs of Death - Charlie Huston [53]

By Root 765 0
on the bus and got the kids off. And they tried to get me off. But, you know, I really didn't want to leave Tameka behind? So they had to kind of, pry me loose from her. Embarrassing, kind of. And then, well, that was kind of it. Except that there was a real mess in there, in the bus. Man, I had stuff all over me. Don't know how I got those clothes clean. No, that's right, Chev threw them out. And, what happened was there was some kind of thing, some thing on the street between some guys who had a beef with each other, never found out about what. So, bullets were exchanged. Obviously some hit the bus. So. That's what hit Tameka. That's why it was such a mess in there. Aaaaanyway, that's why I guess I don't like buses. Funny, right? That I'd forget something like that? So thanks, you know, for pushing the point, really digging into me and getting me to stir all that up. Because, you know, I clearly haven't been doing enough to keep people at arm's distance and it's a good reminder to me to tell you to get the fuck out of here.

—Web? Web, are you OK?

I looked at her from under the bed where I'd crawled and curled into a ball.

—GETTHEFUCKOUT!

And she did. And I felt tired. So I went to sleep.

TO KEEP HIM FROM CRUSHING MY SPINE

—Motherfucker!

I opened my eyes and looked up at the extremely pissed off giant standing over me holding one edge of the bed off the ground and threatening to stomp on my head.

—Motherfucker, are you high?

I shook my head, looked around the sun-filled office.

—No. What? No. I don't even do drugs.

He hefted the bed.

—Get the hell out of there before I drop this thing.

I scrambled out and stood in my T and underwear, jeans clutched in my hands.

—Um.

Po Sin dropped the bed.

—Jesus, Web, what the hell?

I slid one leg into my jeans.

—No, I'm fine, I was just sleeping. I sleep a lot.

He shook his head.

—You sleep a lot? You sleep like the fucking dead, is what you do. I was yelling, running around yelling your name for five minutes. Saw you under the bed, I freaked out. Oh, shit, Web's fucked up. Almost had a heart attack. And I don't mean that figuratively.

He squinted at me.

—You sure you're not high?

I buttoned my fly and looked at him.

—Man, I smoked grass once when I was eleven and got so paranoid I thought the air was trying to kill me. Only time I ever got high. I hate drugs. I never do drugs.

He licked his lips.

—OK. Fine. Then help me with something here.

He walked to the outer door and swung it open and pointed at the empty parking spot out back.

—Help me and tell me where the fuck my van is.

I took a step toward the door.

—I. I. I.

He nodded.

—Yeah, and when you figure out the answer to that one, you can tell me this.

He unballed one huge fist and showed me the pair of blue panties in his palm.

—Who the fuck do these belong to and why are they in my office?

The thing about getting beat up twice, spending big chunks of time cleaning up other people's blood, seeing your dad for the first time in two years, getting in a fight with your best friend, and having sex with someone you think you might really like a lot and then totally going psycho on her, all in a twenty-four-hour period, is that it's likely to affect your judgment. And if your judgment is pretty much for shit to start with, that may result in some spectacularly lame lies.

I'm not saying it's cool or anything.

I'm just saying that when I proceeded to tell Po Sin exactly what had happened that night, the fact that I left out the part where I drove to Carson to clean a bloody motel room and then brought one of his clients back to his office and had sex with her, just didn't seem relevant. I mean, nothing happened to the office while I was away, man. So why bother him with the information that I'd, you know, gone and used his equipment to sterilize a crime scene? And the van was clearly stolen while I was in the office asleep. That would have happened even if I'd spent the whole night here. And as for telling him the girl who'd come over to keep me company on a long lonely night was Soledad, well,

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