The Naturalist on the River Amazons [33]
up, and parties of coloured people in the booths begin their dances. About ten o'clock the Brazilian national air is played, and all disperse quietly and soberly to their homes.
At the festival of Corpus Christi, there was a very pretty arrangement. The large green square of the Trinidade was lighted up all round with bonfires. On one side a fine pavilion was erected, the upright posts consisting of real fan-leaved palm trees--the Mauritia flexuosa, which had been brought from the forest, stems and heads entire, and fixed in the ground. The booth was illuminated with coloured lamps, and lined with red and white cloth. In it were seated the ladies, not all of pure Caucasian blood, but presenting a fine sample of Para beauty and fashion.
The grandest of all these festivals is that held in honour of Our Lady of Nazareth: it is, I believe, peculiar to Para. As I have said before, it falls in the second quarter of the moon, about the middle of the dry season--that is, in October or November-- and lasts, like the others, nine days. On the first day, a very extensive procession takes place, starting from the Cathedral, whither the image of the saint had been conveyed some days previous, and terminating at the chapel or hermitage, as it is called, of the saint at Nazareth--a distance of more than two miles. The whole population turns out on this occasion. All the soldiers, both of the line and the National Guard, take part in it, each battalion accompanied by its band of music. The civil authorities, also, with the President at their head, and the principal citizens, including many of the foreign residents, join in the line. The boat of the shipwrecked Portuguese vessel is carried after the saint on the shoulders of officers or men of the Brazilian navy, and along with it are borne the other symbols of the miracles which Our Lady is supposed to have performed. The procession starts soon after the sun's heat begins to moderate-- that is, about half-past four o'clock in the afternoon. When the image is deposited in the chapel the festival is considered to be inaugurated, and the village every evening becomes the resort of the pleasure-loving population, the holiday portion of the programme being preceded, of course, by a religious service in the chapel. The aspect of the place is then that of a fair, without the humour and fun, but, at the same time, without the noise and coarseness of similar holidays in England. Large rooms are set apart for panoramic and other exhibitions, to which the public is admitted gratis. In the course of each evening, large displays of fireworks take place, all arranged according to a published programme of the festival.
The various ceremonies which take place during Lent seemed to me the most impressive, and some of them were exceedingly well- arranged. The people, both performers and spectators, conduct themselves with more gravity on these occasions, and there is no holiday-making. Performances, representing the last events in the life of Christ, are enacted in the churches or streets in such a way as to remind one of the old miracle plays or mysteries. A few days before Good Friday, a torchlight procession takes place by night from one church to another, in which is carried a large wooden image of Christ bent under the weight of the cross. The chief members of the government assist, and the whole slowly moves to the sound of muffled drums. A double procession is managed a few days afterwards. The image of St. Mary is carried in one direction, and that of the Saviour in another. The two images meet in the middle of one of the most beautiful of the churches, which is previously filled to excess with the multitudes anxious to witness the affecting meeting of mother and son a few days before the crucifixion. The images are brought face to face in the middle of the church, the crowd falls prostrate, and a lachrymose sermon is delivered from the pulpit.
The whole thing, as well as many other spectacles arranged during the few succeeding days, is highly theatrical and well calculated to excite
At the festival of Corpus Christi, there was a very pretty arrangement. The large green square of the Trinidade was lighted up all round with bonfires. On one side a fine pavilion was erected, the upright posts consisting of real fan-leaved palm trees--the Mauritia flexuosa, which had been brought from the forest, stems and heads entire, and fixed in the ground. The booth was illuminated with coloured lamps, and lined with red and white cloth. In it were seated the ladies, not all of pure Caucasian blood, but presenting a fine sample of Para beauty and fashion.
The grandest of all these festivals is that held in honour of Our Lady of Nazareth: it is, I believe, peculiar to Para. As I have said before, it falls in the second quarter of the moon, about the middle of the dry season--that is, in October or November-- and lasts, like the others, nine days. On the first day, a very extensive procession takes place, starting from the Cathedral, whither the image of the saint had been conveyed some days previous, and terminating at the chapel or hermitage, as it is called, of the saint at Nazareth--a distance of more than two miles. The whole population turns out on this occasion. All the soldiers, both of the line and the National Guard, take part in it, each battalion accompanied by its band of music. The civil authorities, also, with the President at their head, and the principal citizens, including many of the foreign residents, join in the line. The boat of the shipwrecked Portuguese vessel is carried after the saint on the shoulders of officers or men of the Brazilian navy, and along with it are borne the other symbols of the miracles which Our Lady is supposed to have performed. The procession starts soon after the sun's heat begins to moderate-- that is, about half-past four o'clock in the afternoon. When the image is deposited in the chapel the festival is considered to be inaugurated, and the village every evening becomes the resort of the pleasure-loving population, the holiday portion of the programme being preceded, of course, by a religious service in the chapel. The aspect of the place is then that of a fair, without the humour and fun, but, at the same time, without the noise and coarseness of similar holidays in England. Large rooms are set apart for panoramic and other exhibitions, to which the public is admitted gratis. In the course of each evening, large displays of fireworks take place, all arranged according to a published programme of the festival.
The various ceremonies which take place during Lent seemed to me the most impressive, and some of them were exceedingly well- arranged. The people, both performers and spectators, conduct themselves with more gravity on these occasions, and there is no holiday-making. Performances, representing the last events in the life of Christ, are enacted in the churches or streets in such a way as to remind one of the old miracle plays or mysteries. A few days before Good Friday, a torchlight procession takes place by night from one church to another, in which is carried a large wooden image of Christ bent under the weight of the cross. The chief members of the government assist, and the whole slowly moves to the sound of muffled drums. A double procession is managed a few days afterwards. The image of St. Mary is carried in one direction, and that of the Saviour in another. The two images meet in the middle of one of the most beautiful of the churches, which is previously filled to excess with the multitudes anxious to witness the affecting meeting of mother and son a few days before the crucifixion. The images are brought face to face in the middle of the church, the crowd falls prostrate, and a lachrymose sermon is delivered from the pulpit.
The whole thing, as well as many other spectacles arranged during the few succeeding days, is highly theatrical and well calculated to excite