The New Drawing on the Right Side of the Brain - Betty Edwards [121]
What can you, as parents and teachers, hope to accomplish right now in terms of teaching both halves of children’s brains? First, it’s important that you know the specialized functions and styles of our hemispheres. Books such as this one can provide you with a basic understanding of the theory and also with the experience of making cognitive shifts from one mode to another. I believe that this personal experiential knowledge is extremely important, perhaps essential, before teachers try to transmit the knowledge to others.
Second, you need to help students to become aware of the different ways they can respond to the same material. For example, you might have students read one passage for facts and ask for verbal or written responses. The same passage might then be read for meaning or underlying content accessible through imagery and metaphoric thought. For this learning mode, you might require as a response a poem, painting, dance, riddle, pun, fable, or song. As another example, certain kinds of arithmetic and mathematics problems require linear, logical thought. Others require imaginary rotations of forms in space or manipulations of numbers, which are best accomplished by mentally producing patterned visualizations. Try to discover—either through noting your own thought processes or observing your students—which tasks utilize the style of the right hemisphere, which require the style of the left, and which require complementary or simultaneous styles.
Third, you might experiment with varying the conditions in your classroom—at least those conditions over which you have some control. For example, talking among students or constant talking by a teacher probably tends to lock students fairly rigidly into left-hemisphere mode. If you can cause your students to make a strong shift to R-mode, you will have a condition that is very rare in modern classrooms: silence. Not only will the students be silent, they will be engaged in the task at hand, attentive and confident, alert and content. Learning becomes pleasurable. This aspect alone of R-mode is worth striving for. Be sure that you yourself encourage and maintain this silence.
As additional suggestions, you might experiment with rearranging the seating or the lighting. Physical movement, especially patterned movement such as dancing, might help to produce the cognitive shift. Music is conducive to R-mode shifts. Drawing and painting, as you have seen in this book, produce strong shifts to R-mode. You might experiment with private languages, perhaps inventing a pictorial language with which the students can communicate in your classroom. I recommend using the chalkboard as much as possible—not just to write words but also to draw pictures, diagrams, illustrations, and patterns. Ideally, all information should be presented in at least two modes: verbal and pictographic. You might experiment with reducing the verbal content of your teaching by substituting nonverbal communication when that mode seems suitable.
Last, I hope you will consciously use your intuitive powers to develop teaching methods and communicate those methods to other teachers through workshops or teachers’ journals. You are probably already using many techniques—intuitively or by conscious design—that cause cognitive shifts. As teachers, we need to share our discoveries, just as we share the goal of a balanced, integrated, whole-brain future for our children.
As parents, we can do a great deal to further this goal by helping our children develop alternate