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• Classic-Fiction

Left hemisphere

analysis of proportion and

cultural bias and

interference with visual information

language and

language bias and

nineteenth-century view of

visual information and

Left-hemisphere (L-) mode

characteristics

color and

education and

suppression of

Legros, Alphonse

Leonardo da Vinci

Levy, Jerre

Light logic

Lights and shadows. See also Shadows

Lindaman, Edward B.

Lindstrom, Miriam

Linear thought

L-mode. See Left-hemisphere (L-) mode

Lord, James

M

Materials for drawing

Matisse, Henri

Meditation

Metaphors

Michelangelo

Milne, A. A.

Mir—, Joan

Mirror writing

Models

ModiWed contour drawing

exercise

Modigliani, Amadeo

Mondrian, Piet, color section

Monochromatic color

Morella, J.

Mouth

Munsell, Albert

Music

Myers, Ronald

N

Natural Way to Draw, The (Nicolaides)

Navigation

Nebes, Robert

Neck

Negative space

fully enclosed

of handwriting

perception of

practice in seeing

Negative-space drawing exercises

with viewWnder

Nicolaides, Kimon

Nonverbal communication, drawing as

Nose

O

Ornstein, Robert

Orwell, George

P

Paradox

Paredes, J. A.

Parents, suggestions for

Pastel drawings

Pencil, sighting with

Perception(s)

language and

L-mode suppression and

of negative spaces

records of

Perspective. See also Sighting

linear

one-point

Renaissance system of drawing

R-mode and

sighting and

tiered

Picasso, Pablo

Pines, Maya

Poincaré, Henri

Portrait drawing

exercises

frontal views

proWle views

three-quarter views

Positive forms

Prehistoric artists

Preinstruction drawings

Problem-solving

Proportion(s)

exercises

foreshortening and

of head

misperception of

Pure Contour Drawing

drawing position

shift to R-mode and

R

Raphael

Ratios

Realism

Redon, Odilon, color section

Reed, William

Relationships, perception of

of angles

of sizes

Rembrandt Van Rijn

Right hand

Right hemisphere. See also Right-hemisphere (R-) mode

cultural bias and

nineteenth-century view of

recognition of faces and

separated

visual information and

Right-hemisphere dominance

Right-hemisphere mode (R-mode)

awareness of

characteristics

color and

drawing and

esthetic response and

proportion and

school systems and

shadow patterns and

shifting to

state of consciousness and

subjective feelings and

R-mode. See Right-hemisphere (R-) mode

Rockefeller, Nelson

Rodin, Auguste

Rubens, Peter Paul

S

Scheeler, Charles

Schiller, Johann

School/school systems

Seeing

artist’s mode of

drawing and

Seurat, Georges

Shading. See Light logic

Shadows

continuous tone

crosshatching

exercises

right-hemisphere and

shapes of

Shah, Indries

Shapes

of drawing surfaces

positive

of shadows

Shepard, Roger N.

Shift from L-mode to R-mode

conditions for

controlling

exercises

experiencing

Pure Contour Drawing and

teaching methods and

upside-down drawing exercise

Vase-Faces drawing exercises

Shift from R-mode to L-mode

Shoulders

Sighting

angles

corners

exercises

in Wgure drawing

perspective and

in R-mode

size relationships and

using edges of paper

Signature. See Handwriting

Singer, Joe

Size relationships, sighting

Smith, Peter

Space, empty. See Negative space headings

Spatial information

Speech. See Language

Sperry, Roger W.

Split-brain studies

Squaring up

Stein, Gertrude

Style, developing

Surrealism

Suzuki. I.

Symbols

in children’s art

systems

T

Tart, Charles T.

Teachers

handwriting and

suggestions for

teaching/learning process and

Thurber, James

Time, passage of

Toulouse-Lautrec, Henri de, color scale

Trevarthen, Colwyn

U

Unity

Upside-down drawing

V

Value(s)

deWned

Value scale, color section

Van Gogh, Vincent

Vase-Faces drawings

Verbal information. See Language

Verity, Enid

ViewWnder, using

Vogel, Phillip

W

Waller, Fats

Watts, Alan

White, Charles

Zen