The New Weird - Ann VanderMeer [7]
Thus Crome lived in Uroconium, remembering, working, publishing. He sometimes spent an evening in the Bistro Californium or the Luitpold Cafe. Several of the Luitpold critics (notably Barzelletta Angst, who in L'Espace Cromien ignored entirely the conventional chronology ― expressed in the idea of "recherche" ― of Crome's long poem Bream into Man) tried to represent his work as a series of narrativeless images, glued together only by his artistic persona. Crome refuted them in a pamphlet. He was content.
Despite his sedentary habit he was a sound sleeper. But before it blows at night over the pointed roofs of Montrouge, the southwest wind must first pass between the abandoned towers of the Old City, as silent as burnt logs, full of birds, scraps of machinery, and broken-up philosophies: and Crome had hardly been there three years when he began to have a dream in which he was watching the ceremony called "the Luck in the Head."
For its proper performance this ceremony requires the construction on a seashore, between the low and high tide marks at the Eve of Assumption, of two fences or "hedges." These are made by weaving osiers ― usually cut at first light on the same day ― through split hawthorn uprights upon which the foliage has been left. The men of the town stand at one end of the corridor thus formed; the women, their thumbs tied together behind their backs, at the other. At a signal the men release between the hedges a lamb decorated with medallions, paper ribbons, and strips of rag. The women race after, catch it, and scramble to keep it from one another, the winner being the one who can seize the back of the animal's neck with her teeth. In Dunham Massey, Lymm, and Iron Chine, the lamb is paraded for three days on a pole before being made into pies; and it is good luck to obtain the pie made from the head.
In his dream Crome found himself standing on some sand dunes, looking out over the wastes of marram grass at the osier fences and the tide. The women, with their small heads and long grey garments, stood breathing heavily like horses, or walked nervously in circles avoiding one another's eyes as they tested with surreptitious tugs the red cord which bound their thumbs. Crome could see no one there he knew. Somebody said, "A hundred eggs and a calf's tail," and laughed. Ribbons fluttered in the cold air: they had introduced the lamb. It stood quite still until the women, who had been lined up and settled down after a certain amount of jostling, rushed at it. Their shrieks rose up like those of herring gulls, and a fine rain came in from the sea.
"They're killing one another!" Crome heard himself say.
Without any warning one of them burst out of the melee with the lamb in her teeth. She ran up the dunes with a floundering, splay-footed gait and dropped it at his feet. He stared down at it.
"It's not mine," he said. But everyone else had walked away.
He woke up listening to the wind and staring at the washstand, got out of bed and walked round the room to quieten himself down. Fireworks, greenish and queasy with the hour of the night, lit up the air intermittently above the distant arena. Some of this illumination, entering through the skylight, fell as a pale wash on his thin arms and legs, fixing them in attitudes of despair.
If he went to sleep again he often found,