The New Yorker Stories - Ann Beattie [153]
What’s new with me? My divorce is final.
My husband remembers the circumstances of the photograph. I told him it was impossible—he was an infant. No, he was a child when the picture was taken, he said—he just looked small because he was slumped in the chair. He remembers it all distinctly. Rufus the dog was there, and his father, and he was looking slightly upward because that was where his mother was, holding the camera. I was amazed that I had made a mystery of something that had such a simple answer. It is a picture of a baby looking at its mother. For the millionth time he asks why must I make myself morose, why call in the middle of the night.
Eliza is asleep. I sit on the edge of her bed in the half-darkness, tempting fate, fidgeting with a paperweight with bursts of red color inside, tossing it in the air. One false move and she will wake up. One mistake and glass shatters. I like the smoothness of it, the heaviness as it slaps into my palm over and over.
Today when I went to Norman, he was sitting on his window ledge, with his arms crossed over his chest. He had been uptown at a meeting that morning, where a man had come up to him and said, “Be grateful for the cane. Everybody who doesn’t take hold of something has something take hold of them.” Norman tells me this, and we are both silent. Does he want me to tell him, the way Eliza wants me to summarize stories, what I think it means? Since Norman and I are adults, I answer my silent question with another question: What do you do with a shard of sorrow?
Desire
Bryce was sitting at the kitchen table in his father’s house, cutting out a picture of Times Square. It was a picture from a coloring book, but Bryce wasn’t interested in coloring; he just wanted to cut out pictures so he could see what they looked like outside the book. This drawing was of people crossing the street between the Sheraton-Astor and F. W. Woolworth. There were also other buildings, but these were the ones the people seemed to be moving between. The picture was round; it was supposed to look as if it had been drawn on a bottle cap. Bryce had a hard time getting the scissors around the edge of the cap, because they were blunt-tipped. At home, at his mother’s house in Vermont, he had real scissors and he was allowed to taste anything, including alcohol, and his half sister Maddy was a lot more fun than Bill Monteforte, who lived next door to his father here in Pennsylvania and who never had time to play. But he had missed his father, and he had been the one who called to invite himself to this house for his spring vacation.
His father, B.B., was standing in the doorway now, complaining because Bryce was so quiet and so glum. “It took quite a few polite letters to your mother to get her to let loose of you for a week,” B.B. said. “You get here and you go into a slump. It would be a real problem if you had to do anything important, like go up to bat with the bases loaded and two outs.”
“Mom’s new neighbor is the father of a guy that plays for the Redskins,” Bryce said.
The scissors slipped. Since he’d