The New Yorker Stories - Ann Beattie [88]
“I know that. I meant to offer him money,” Natalie said, and was surprised, listening to her voice, that she sounded old too.
She took an inventory and made a list of things in their apartment. Larry had met an insurance man one evening while playing basketball at the gym who told him that they should have a list of their possessions, in case of theft. “What’s worth anything?” she said when he told her. It was their first argument in almost a year—the first time in a year, anyway, that their voices were raised. He told her that several of the pieces of furniture his grandparents gave them when they got married were antiques, and the man at the gym said that if they weren’t going to get them appraised every year, at least they should take snapshots of them and keep the pictures in a safe-deposit box. Larry told her to photograph the pie safe (which she used to store linen), the piano with an inlaid mother-of-pearl decoration on the music rack (neither of them knew how to play), and the table with hand-carved wooden handles and a marble top. He bought her an Instamatic camera at the drugstore, with film and flash bulbs. “Why can’t you do it?” she said, and an argument began. He said that she had no respect for his profession and no understanding of the amount of study that went into getting a master’s degree in chemistry.
That night he went out to meet two friends at the gym, to shoot baskets. She put the little flashcube into the top of the camera, dropped in the film and closed the back. She went first to the piano. She leaned forward so that she was close enough to see the inlay clearly, but she found that when she was that close the whole piano wouldn’t fit into the picture. She decided to take two pictures. Then she photographed the pie safe, with one door open, showing the towels and sheets stacked inside. She did not have a reason for opening the door, except that she remembered a Perry Mason show in which detectives photographed everything with the doors hanging open. She photographed the table, lifting the lamp off it first. There were still eight pictures left. She went to the mirror in their bedroom and held the camera above her head, pointing down at an angle, and photographed her image in the mirror. She took off her slacks and sat on the floor and leaned back, aiming the camera down at her legs. Then she stood up and took a picture of her feet, leaning over and aiming down. She put on her favorite record: Stevie Wonder singing “For Once in My Life.” She found herself wondering what it would be like to be blind, to have to feel things to see them. She thought about the piece of sculpture in the museum—the two elongated mounds, intertwined, the smooth gray stone as shiny as sea pebbles. She photographed the kitchen, bathroom, bedroom and living room. There was one picture left. She put her left hand on her thigh, palm up, and with some