The New Yorker Stories - Ann Beattie [97]
During the month before he left, though, and before she ever heard the song, the two of them had sat on the roof of his building one night, arguing. They were having a Tom Collins because a musician who had been at his place the night before had brought his own mix and then left it behind. She had never had a Tom Collins. It tasted appropriately bitter, she thought. She held out the ring and the bracelet to him. He said that if she made him take them back, he would drop them over the railing. She believed him and put them back in her pocket. He said, and she agreed, that things had not been perfect between them even before she found out about his wife. Myra could play the guitar, and she could not; Myra loved to travel, and she was afraid to leave New York City. As she listened to what he said, she counted the posts—black iron and shaped like arrows—of the fence that wound around the roof. It was almost entirely dark, and she looked up to see if there were any stars. She yearned to be in the country, where she could always see them. She said she wanted him to borrow a car before he left so that they could ride out into the woods in New Jersey. Two nights later he picked her up at her apartment in a red Volvo, with Sam panting in the back, and they wound their way through the city and to the Lincoln Tunnel. Just as they were about to go under, another song began to play on the tape deck. It was Ringo Starr singing “Octopus’s Garden.” Jack laughed. “That’s a hell of a fine song to come on just before we enter the tunnel.” Inside the tunnel, the dog flattened himself on the back seat. “You want to keep Sam, don’t you?” he said. She was shocked because she had never even thought of losing Sam. “Of course I do,” she said, and unconsciously edged a little away from him. He had never said whose car it was. For no reason at all, she thought that the car must belong to a woman.
“I love that syrupy chorus of ‘aaaaah’ Lennon and McCartney sing,” he said. “They really had a fine sense of humor.”
“Is that a funny song?” she said. She had never thought about it.
They were on Boulevard East, in Weehawken, and she was staring out the window at the lights across the water. He saw that she was looking, and drove slower.
“This as good as stars for you?” he said.
“It’s amazing.”
“All yours,” he said, taking his hand off the wheel to swoop it through the air in mock graciousness.
After he left she would remember that as one of the little digs he had gotten in—one of the less than nice things he had said. That night, though, impressed by the beauty of the city, she let it go by; in fact, she would have to work on herself later to reinterpret many of the things he had said as being nasty. That made it easier to deal with his absence. She would block out the memory of his pulling over and kissing her, of the two of them getting out of the car, and with Sam between them, walking.
One of the last times she saw him, she went to his apartment on a night when five other people were there—people she had never met. His father had shipped him some 8mm home movies and a projector, and the people all sat on the floor, smoking grass and talking, laughing at the movies of children (Jack at his fourth birthday party; Jack in the Halloween parade at school; Jack at Easter, collecting eggs). One of the people on the floor said, “Hey, get that big dog out of the way,” and she glared at him, hating him for not liking the dog. What if his shadow had briefly darkened the screen? She felt angry enough to scream, angry enough to say that the dog had grown up in the apartment and had the right to walk around. Looking at the home movies, she tried to concentrate on Jack’s blunders: dropping an Easter egg, running down the hill after the egg, going so fast he stumbled into some blur, perhaps his mother’s arms. But what she mostly thought about was what a beautiful child he was, what a happy-looking little boy. There was no sense in her staying there and getting sentimental, so she made her excuses and left early. Outside,