The Night and the Music - Lawrence Block [23]
“What did she pay for them?”
“Full price. And that’s what she sold ‘em for. The hell, I can’t discount on papers. You know the margin we got. I’m not even supposed to take ‘em back, but what difference does it make? It gave the poor woman something to do is my theory. She was important, she was a businesswoman. Sits there charging a quarter for something she just paid a quarter for, it’s no way to get rich, but you know something? She had money. Lived like a pig but she had money.”
“So I understand.”
“She left Eddie seven-twenty. You believe that? Seven hundred and twenty dollars, she willed it to him, there was this lawyer come around two, three weeks ago with a check. Eddie Halloran. Pay to the order of. You believe that? She never had dealings with him. I sold her the papers, I bought ‘em back from her. Not that I’m complaining, not that I want the woman’s money, but I ask you this: Why Eddie? He don’t know her. He can’t believe she knows his name, Eddie Halloran. Why’d she leave it to him? He tells this lawyer, he says maybe she’s got some other Eddie Halloran in mind. It’s a common Irish name and the neighborhood’s full of the Irish. I’m thinking to myself, Eddie, schmuck, take the money and shut up, but it’s him all right because it says in the will. Eddie Halloran the newsdealer is what it says. So that’s him, right? But why Eddie?”
Why me? “Maybe she liked the way he smiled.”
“Yeah, maybe. Or the way he combed his hair. Listen, it’s money in his pocket. I worried he’d go on a toot, drink it up, but he says money’s no temptation. He says he’s always got the price of a drink in his jeans and there’s a bar on every block but he can walk right past ‘em, so why worry about a few hundred dollars? You know something? That crazy woman, I’ll tell you something, I miss her. She’d come, crazy hat on her head, spacy look in her eyes, she’d buy her stack of papers and waddle off all businesslike, then she’d bring the leftovers and cash ‘em in, and I’d make a joke about her when she was out of earshot, but I miss her.”
“I know what you mean.”
“She never hurt nobody,” he said. “She never hurt a soul.”
“Mary Alice Redfield. Yeah, the multiple stabbing and strangulation.” He shifted a cud-sized wad of gum from one side of his mouth to the other, pushed a lock of hair off his forehead, and yawned. “What have you got, some new information?”
“Nothing. I wanted to find out what you had.”
“Yeah, right.”
He worked on the chewing gum. He was a patrolman named Andersen who worked out of the Eighteenth. Another cop, a detective named Guzik, had learned that Andersen had caught the Redfield case and had taken the trouble to introduce the two of us. I hadn’t known Andersen when I was on the force. He was younger than I, but then most people are nowadays.
He said, “Thing is, Scudder, we more or less put that one out of the way. It’s in an open file. You know how it works. If we get new information, fine, but in the meantime I don’t sit up nights thinking about it.”
“I just wanted to see what you had.”
“Well, I’m kind of tight for time, if you know what I mean. My own personal time, I set a certain store by my own time.”
“I can understand that.”
“You probably got some relative of the deceased for a client. Wants to find out who’d do such a terrible thing to poor old Cousin Mary. Naturally you’re interested because it’s a chance to make a buck and a man’s gotta make a living. Whether a man’s a cop or a civilian he’s gotta make a buck, right?”
Uh-huh. I seem to remember that we were subtler in my day, but perhaps that’s just age talking. I thought of telling him that I didn’t have a client but why should he believe me? He didn’t know me. If there was nothing in