The Night and the Music - Lawrence Block [36]
“Why I called,” he said, “is Kaplan wants to hire a detective. He figured maybe these guys talked around the neighborhood, maybe they bragged to their friends, maybe there’s a way to prove they did the killing. He says the cops won’t concentrate on that end if they’re too busy nailing the lid shut on me.”
I explained that I didn’t have any official standing, that I had no license and filed no reports.
“That’s okay,” he insisted. “I told Kaplan what I want is somebody I can trust, somebody who’ll do the job for me. I don’t think they’re gonna have any kind of a case at all, Matt, but the longer this drags on, the worse it is for me. I want it cleared up, I want it in the papers that these Spanish assholes did it all and I had nothing to do with anything. You name a fair fee and I’ll pay it, me to you, and it can be cash in your hand if you don’t like checks. What do you say?”
He wanted somebody he could trust. Had Carolyn from the Caroline told him how trustworthy I was?
What did I say? I said yes.
I met Tommy Tillary and his lawyer in Drew Kaplan’s office on Court Street, a few blocks from Brooklyn’s Borough Hall. There was a Syrian restaurant next door and, at the corner, a grocery store specializing in Middle Eastern imports stood next to an antique shop overflowing with stripped-oak furniture and brass lamps and bedsteads. Kaplan’s office ran to wood paneling and leather chairs and oak file cabinets. His name and the names of two partners were painted on the frosted-glass door in old-fashioned gold-and-black lettering. Kaplan himself looked conservatively up-to-date, with a three-piece striped suit that was better cut than mine. Tommy wore his burgundy blazer and gray-flannel trousers and loafers. Strain showed at the corners of his blue eyes and around his mouth. His complexion was off, too.
“All we want you to do,” Kaplan said, “is find a key in one of their pants pockets, Herrera’s or Cruz’s, and trace it to a locker in Penn Station, and in the locker there’s a footlong knife with their prints and her blood on it.”
“Is that what it’s going to take?”
He smiled. “It wouldn’t hurt. No, actually, we’re not in such bad shape. They got some shaky testimony from a pair of Latins who’ve been in and out of trouble since they got weaned to Tropicana. They got what looks to them like a good motive on Tommy’s part.”
“Which is?”
I was looking at Tommy when I asked. His eyes slipped away from mine. Kaplan said, “A marital triangle, a case of the shorts, and a strong money motive. Margaret Tillary inherited a little over a quarter of a million dollars six or eight months ago. An aunt left a million two and it got cut up four ways. What they don’t bother to notice is he loved his wife, and how many husbands cheat? What is it they say — ninety percent cheat and ten percent lie?”
“That’s good odds.”
“One of the killers, Angel Herrera, did some odd jobs at the Tillary house last March or April. Spring cleaning; he hauled stuff out of the basement and attic, a little donkeywork. According to Herrera, that’s how Tommy knew him to contact him about the burglary. According to common sense, that’s how Herrera and his buddy Cruz knew the house and what was in it and how to gain access.”
“The case against Tommy sounds pretty thin.”
“It is,” Kaplan said. “The thing is, you go to court with something like this and you lose even if you win. For the rest of your life, everybody remembers you stood trial for murdering your wife, never mind that you won an acquittal.
“Besides,” he said, “you never know which way a jury’s going to jump. Tommy’s alibi is he was with another lady at the time of the burglary. The woman’s a colleague; they could see it as completely aboveboard, but who says they’re going to? What they sometimes do, they decide they don’t believe the alibi because it’s his girlfriend lying for him, and at the same time they label him a scumbag for screwing around while his wife’s getting killed.”
“You keep it up,” Tommy said, “I’ll find myself guilty,