The Night and the Music - Lawrence Block [70]
“And the cops who responded — ”
“Well, I called it in for them, so I more or less selected the responding officers. I picked guys you can work with.”
“And worked with them.”
“Everybody came out okay,” I said. “I collected a few dollars from the four players, and I laid off some of it where it would do the most good.”
“Just to smooth things out.”
“That’s right.”
“But you didn’t lay off all of it.”
“No,” I said, “not quite all of it. Give me your hand. Here.”
“What’s this?”
“A finder’s fee.”
“Three hundred dollars?”
“Ten percent,” I said.
“Gee,” she said. “I didn’t expect anything.”
“What do you do when somebody gives you money?”
“I say thank you,” she said, “and I put it someplace safe. This is great. You get them to tell the truth, and everybody gets paid. Do you have to go back to Syosset right away? Because Chet Baker’s at Mikell’s tonight.”
“We could go hear him,” I said, “and then we could come back here. I told Anita I’d probably have to stay over.”
“Oh, goodie,” she said. “Do you suppose he’ll sing ‘Let’s Get Lost’?”
“I wouldn’t be surprised,” I said. “Not if you ask him nice.”
I don’t remember if he sang it or not, but I heard it again just the other day on the radio. He’d ended abruptly, that aging boy with the sweet voice and sweeter horn. He went out a hotel room window somewhere in Europe, and most people figured he’d had help. He’d crossed up a lot of people along the way and always got away with it, but then that’s usually the way it works. You dodge all the bullets but the last one.
“Let’s Get Lost.” I heard the song, and not twenty-four hours later I picked up the Times and read an obit for a commodities trader named P. Gordon Fawcett, who’d succumbed to prostate cancer. The name rang a bell, but it took me hours to place it. He was the guy in the blazer, the man in whose apartment Phil Ryman stabbed himself.
Funny how things work out. It wasn’t too long after that poker game that another incident precipitated my departure from the NYPD, and from my marriage. Elaine and I lost track of each other, and caught up with each other some years down the line, by which time I’d found a way to live without drinking. So we got lost and found — and now we’re married. Who’d have guessed?
My life’s vastly different these days, but I can imagine being called in on just that sort of emergency — a man dead on the carpet, a knife in his chest, in the company of four poker players who only wish he’d disappear. As I said, my life’s different, and I suppose I’m different myself. So I’d almost certainly handle it differently now, and what I’d probably do is call it in immediately and let the cops deal with it.
Still, I always liked the way that one worked out. I walked in on a cover-up, and what I did was cover up the cover-up. And in the process I wound up with the truth. Or an approximation of it, at least, and isn’t that as much as you can expect to get? Isn’t that enough?
Monica said, “What kind of a gun? A man shoots himself in his living room, surrounded by his nearest and dearest, and you want to know what kind of a gun he used?”
“I just wondered,” I said.
Monica rolled her eyes. She’s one of Elaine’s oldest friends. They were in high school together, in Rego Park, and they never lost touch over the years. Elaine spent a lot of years as a call girl, and Monica, who was never in the life herself, seemed to have no difficulty accepting that. Elaine, for her part, had no judgment on Monica’s predilection for dating married men.
She was with the current one that evening. The four of us had gone to a revival of Allegro, the Rodgers and Hammerstein show that hadn’t been a big hit the first time around. From there we went to Paris Green for a late supper. We talked about the show and speculated on reasons for its limited success. The songs were good, we