The Night Circus - Erin Morgenstern [139]
“You should really get another one,” he says, peering at the agitated raven. “A Muninn to complete the set.”
“I prefer thought to memory, Papa,” Celia says.
“Hrmph” is the only response.
Celia ignores him as he leans over her shoulder, watching her flip through the inscribed pages.
“This is a god-awful mess,” he says.
“A language you cannot speak yourself is not necessarily a god-awful mess,” Celia says, transcribing a line of symbols into her notebook.
“This is messy work, bindings and charms,” Hector says, floating to the other side of the desk to get a better look. “Very much Alexander’s style, overly complicated and covert.”
“Yet with enough study anyone could do it. Quite the contrast to all your lectures about how I was special.”
“You are special. You are beyond this”—he waves a transparent hand over the pile of books—“this use of tools and constructs. There is so much more you could accomplish with your talents. So much more to explore.”
“ ‘There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy,’ ” Celia quotes at him.
“Please, no Shakespeare.”
“I am haunted by the ghost of my father, I think that should allow me to quote Hamlet as much as I please. You used to be quite fond of Shakespeare, Prospero.”
“You are too intelligent for this behavior. I expected more of you.”
“I apologize for not living up to your absurd expectations, Papa. Don’t you have anyone else to bother?”
“There are very few people I can converse with in this state. Alexander is dreadfully boring, as always. Chandresh was interesting enough but that boy has altered his memory so many times that it’s not much better than talking to myself. Though it might be nice for a change of scenery.”
“You talk to Chandresh?” Celia asks.
“Occasionally,” Hector says, inspecting the clock as it turns within its cage.
“You told Chandresh that Alexander was going to be at the circus that night. You sent him there.”
“I made a suggestion to a drunk. Drunks are highly suggestible. And nicely accepting of conversations with dead people.”
“You must have known he could do nothing to Alexander,” Celia says. The reasoning makes no sense, not that her father’s reasoning often does.
“I thought the old man could use a knife in the back for a change. That student of his was practically screaming to do it himself, so much so that the idea of it was already in Chandresh’s head, all of that rage sneaking into his subconscious from being exposed to it over time. All I had to do was give him a push in the right direction.”
“You said there was a rule about interference,” Celia says, placing down her pen.
“Interfering with you or your opponent,” her father clarifies. “I can interfere with anyone else as much as I please.”
“Your interfering got Friedrick killed!”
“There are other clockmakers in the world,” Hector says. “You could find a new one if you are in need of additional timepieces.”
Celia’s hands are shaking as she picks up a volume from the pile of Shakespeare and hurls it at him. As You Like It passes through his chest without pause, hitting the wall of the tent beyond and falling to the ground. The raven caws, ruffling its feathers.
The cages around the doves and the clock begin to quiver. The glass over the framed photograph cracks.
“Go away, Papa,” Celia says through clenched teeth, trying to control herself.
“You cannot keep pushing me away,” he says.
Celia turns her attention to the candles on the desk, concentrating on a single dancing flame.
“You think you are making personal connections with these people?” Hector continues. “You think you mean anything to them? They are all going to die eventually. You are letting your emotions trump your power.”
“You are a coward,” Celia says. “You are both cowards. You fight by proxy because you are too cowardly to challenge each other directly. Afraid that you will fail and have nothing to blame except yourselves.”
“That is not true,” Hector protests.
“I hate you,” Celia says, still staring at the candle flame.
The shadow of her father