The Night Circus - Erin Morgenstern [89]
Eventually, Celia abandons her search and returns to the foyer, where Marco is standing by the door with her shawl folded casually over his arm.
“Are you looking for this, Miss Bowen?” he asks.
He moves to place it on her shoulders but the lace disintegrates between his fingers, falling into dust.
When he looks up at her again she is wearing the shawl, tied perfectly, as though it had never been removed.
“Thank you,” Celia says. “Good night.” She breezes by him and out the door before he can respond.
“Miss Bowen?” Marco calls, chasing after her as she descends the front stairs.
“Yes?” Celia responds, turning back as she reaches the pavement.
“I was hoping I could trouble you for that drink we did not have in Prague,” Marco says. He holds her eyes steadily with his while she considers.
The intensity of his gaze is even stronger than it had been when it was focused on the back of her neck, and while Celia can feel the coercion of it, a technique her father was always fond of, there is something genuine as well, something almost like a plea.
It is that, coupled with curiosity, that causes her to nod her consent.
He smiles and turns, walking back inside the house, leaving the door open.
After a moment, she follows. The door swings shut and locks behind her.
Inside, the dining room has been cleared but the dripping candles still burn in the candelabras.
Two glasses of wine sit on the table.
“Where has Chandresh gone to?” Celia asks, picking up one of the glasses and walking to the opposite side of the table from where Marco stands.
“He has retired to the fifth floor,” Marco says, taking the remaining glass for himself. “He had the former servants’ quarters renovated to keep as his private rooms because he enjoys the view. He will not be down until the morning. The rest of the staff has departed, so we have the majority of the house to ourselves.”
“Do you often entertain your own guests after his have gone?” Celia asks.
“Never.”
Celia watches him while she sips her wine. Something about his appearance bothers her, but she cannot identify what, exactly.
“Did Chandresh really insist that all the fire in the circus be white so it would match the color scheme?” she asks after a moment.
“He did indeed,” Marco says. “Told me to contact a chemist or something. I opted to take care of it myself.” He runs his fingers over the candles on the table and the flames shift from warm gold to cool white, tinged with a silvery blue in the center. He runs his fingers back in the other direction, and they return to normal.
“What do you call it?” Marco asks.
Celia does not need to ask what he means.
“Manipulation. I called it magic when I was younger. It took me quite some time to break that habit, though my father never cared for the term. He’d call it enchanting, or forcibly manipulating the universe when he was not in the mood for brevity.”
“Enchanting?” Marco repeats. “I had not thought of it as such before.”
“Nonsense,” Celia says. “It’s precisely what you do. You enchant. You’re clearly good at it. You have so many people in love with you. Isobel. Chandresh. And there must be others.”
“How do you know about Isobel?” Marco asks.
“The company of the circus is fairly large but they all talk about each other,” Celia says. “She seems utterly devoted to someone whom none of us has ever met. I noticed immediately that she pays particular attention to me, I even wondered at one point if she might be my opponent. After you appeared in Prague when she was waiting for someone it was rather simple to figure out the rest. I do not believe anyone else knows. The Murray twins have a theory that she is in love with the dream of someone and not an actual person.”
“The Murray twins sound quite clever,” Marco says. “If I am enchanting in that way it is not always intentional. It was helpful in securing the position with Chandresh, as I had only a single reference and little experience. Though it does not seem to be working quite so effectively on you.”
Celia puts down her glass, still not certain what to make