The Night Strangers - Chris Bohjalian [149]
And so the herbalists surrounded the body in the greenhouse. They edged closer all the time, especially when Anise finally raised the child’s right arm from his chest and Clary held a cast-iron stewpot beneath it while Tansy—the boy’s own mother—took one of her own kitchen knives and made a single cut along the wrist. The boy flinched. Certainly Clary saw that. Probably Anise did, too, and she must have worried that she had either mixed the sedative improperly or—fearful of killing the child with an overdose—given him too little. But the boy did not awaken. At least not yet. Sawyer Dunmore awoke only after Anise and Sage had both observed aloud that the slice had been neither deep enough nor long enough and already the coagulants were starting to stem the tide. They needed far more than a few drops of blood; this wasn’t homeopathy, after all. They needed enough blood to reduce it like a sauce with the ashwagandha and eternium. And though Tansy paused with the knife at her side, summoning the courage and deciding whether she was indeed capable of cutting her own child a second time—and making this gash far more pronounced—she didn’t pause long. Had she been tranquilized, too? Clary didn’t know and so Reseda didn’t know. Clary had never been sure whether the stupor that initially had enveloped Tansy Dunmore like a shawl and made her eyes less animated than the rest of the herbalists—all of whom were electrified by the idea that finally they were preparing this particular tincture, the one that demanded the blood of a traumatized, prepubescent twin—was the result of massive doses of passionflower and schisandra or unease at the reality that she was slashing her own child’s wrist. Regardless, she raised the knife once more and this time made the cut deeper and longer and, intentionally or not, she ran the knife lengthwise along the ulnar artery, rather than across it, and blood geysered up into the air, a punctured hose with the spigot on full, and the boy awoke. He screamed and struggled to sit up, but Peyton Messner and John Hardin were there before he could, the two men pressing the boy’s shoulders back against the altar. But Sawyer fought hard for his life, and his cries pulled Tansy from the somnambulance that had allowed her to forget for a period who she was and what she was doing to her own son. She lashed out at Peyton and John, and managed to tear the sleeve from John’s robe, but Clary dropped the heavy pot—spilling the little blood they had collected onto the dirt floor of the greenhouse, where it disappeared into the earth—and she and Anise together clenched Tansy’s arm and pushed her away from her son and then onto the ground. But Tansy heard Sawyer crying as he bled out (and he really did bleed out very, very quickly), and she wailed his name over and over. The adults might have saved the boy’s life if they hadn’t been working at cross-purposes: Peyton was hoping to stop the bleeding, trying to press the cloth from the cuff of his robe against the deep gash, but Anise and John were squeezing the child’s forearm, trying to keep the vein open. Moreover, at some point someone had toppled one of the candles and set Anise’s long sleeve on fire, badly burning her arm before she was able to smother it. She seemed oblivious to the pain, but the small blaze only added to the distraction. Still, Clary eventually managed to right the cauldron and capture Sawyer Dunmore’s blood as it flowed and flowed, puddling in the bottom of the cast-iron pot and saturating John’s and Anise’s robes.
Meanwhile the boy cried out for his mother until he grew too weak and the mother screamed for her son and their pleas were unbearable.
When the boy was dead and the adults saw what they had done, they brought him home and placed him in a bathtub and allowed the world to believe his death was a suicide. The blood, they forever insisted, had turned the water salmon pink and then