The Night Strangers - Chris Bohjalian [48]
Later, when they were walking up their driveway where the school bus left them off each afternoon, Garnet finally told her sister where she had gotten the lighter. She said it was in the far back corner of the walk-in closet they shared in the hallway between their bedrooms and she’d found it the night before when she was trying to find places for all of her boots and shoes. She added, “I didn’t know it was a picture of Dad’s plane at first. I really didn’t. I just knew it was making Mrs. Collier unhappy. And I guess I just wanted to try out the lighter.” Given what the picture was, however, and how the adults all presumed Garnet knew that the image was Flight 1611 plummeting into Lake Champlain, neither the principal nor Mrs. Collier felt a serious inclination to discipline her. They simply told her that the school didn’t allow students such things as lighters, and then the principal tried to call Dad at home and Mom at her office. Hallie pointed out to Garnet how she’d received absolutely no punishment at all, and her sister nodded. “You and I can probably do just about anything we want and get away with it,” Hallie added, and it was only after she had spoken that she realized she was stating the obvious. Garnet, it seemed, had known this for months.
You stand tall as you swing the ax hard into the door made of barnboard, your pants and sneakers positively black with coal, your hands and forearms streaked with sweat and muck. You convince yourself that the knobs and lines on the wood really look nothing like a face. Nothing at all. When you pause for breath you recall a historian you once heard speaking on the radio about the testosterone it must have taken to clear great swaths of New England of trees in the seventeenth and eighteenth centuries. The forests that greeted the first Europeans were substantial, and the tools the men used to clear them were primitive. They swung axes for hours and hours a day.
And now you are slamming the steel blade into the wood, conscious of how different this tool is from the electrical and mechanical ones that kept your airplanes aloft for nearly a decade and a half. The timbers around you quiver with each blow and the barnboard begins to splinter. When you hit the wood just right, there is a high-pitched groan after the crash of the blade that sounds a bit like a tree branch swaying in a fierce wind. But the groan may be your imagination or your mind playing tricks on you for any number of reasons. You are tired, you are lonely, you are—and the notion surprises you momentarily because until this second you hadn’t realized it was the case—worried about Emily. Tending to you—taking care of you—has begun to wear on her. You can tell.
Or maybe what sounds precisely like a moan from the door is a new manifestation of your PTSD: anthropomorphizing the timbers that were used to board up a coal chute.
And then, of course, the whimpers may be real: This may be precisely what shattering wood sounds like.
Regardless, soon enough, you have hewn a hole in the door. With your hands you pull the pieces apart, a chest-high hole that is large enough to reach in far if you want (you don’t). You take the heavy metal flashlight you bought at the hardware store for precisely this purpose (not, as you murmured to the woman behind the counter, because you seem to lose power so often here on the hill) and shine it through the uneven fissure.
And all that you spy are what look like wooden walls. Aged horizontal timbers that resemble a part of the foundation of the house. Otherwise, it is an empty … and what is the word you want? Compartment? Fruit cellar? Bin? The floor, you notice, is dirt, just like the rest of the basement.
But you have determined it is not a coal chute. At least you think you have. You’re not completely sure. Perhaps it had been a coal chute for a time and then it was walled off in this manner and used to store vegetables or fruit. Hard to say unless you tear down the door completely. And so you will. You