The Ninth Vibration [27]
my hand mutely when the difficulties obliged it, she accepting absently, and as if her thoughts were far away.
Suddenly she quickened her pace. We had climbed about nine hundred feet, and now the narrow track twisted through the rocks - a track that looked as age-worn as no doubt it was. We threaded it, and struggled over the ridge, and looked down victorious on the other side.
There she stopped. A very wonderful sight, of which I had never seen the like, lay below us. Rock and waste and towering crags, and the mighty ruin of the monastery set in the fangs of the mountain like a robber baron's castle, looking far away to the blue mountains of the Debatable Land - the land of mystery and danger. It stood there - the great ruin of a vast habitation of men. Building after building, mysterious and broken, corridors, halls, refectories, cells; the dwelling of a faith so alien that I could not reconstruct the life that gave it being. And all sinking gently into ruin that in a century more would confound it with the roots of the mountains.
Grey and wonderful, it clung to the heights and looked with eyeless windows at the past. Somehow I found it infinitely pathetic; the very faith it expressed is dead in India, and none left so poor to do it reverence.
But Vanna knew her way. Unerringly she led me from point to point, and she was visibly at home in the intricacies. Such knowledge in a young woman bewildered me. Could she have studied the plans in the Museum? How else should she know where the abbot lived, or where the refractory brothers were punished?
Once I missed her, while I stooped to examine some scroll-work, and following, found her before one of the few images of the Buddha that the rapacious Museum had spared - a singularly beautiful bas-relief, the hand raised to enforce the truth the calm lips were speaking, the drapery falling in stately folds to the bare feet. As I came up, she had an air as if she had just ceased from movement, and I had a distinct feeling that she had knelt before it - I saw the look of worship! The thing troubled me like a dream, haunting, impossible, but real.
"How beautiful!" I said in spite of myself, as she pointed to the image. "In this utter solitude it seems the very spirit of the place."
"He was. He is," said Vanna.
"Explain to me. I don't understand. I know so little of him. What is the subject?"
She hesitated; then chose her words as if for a beginner;- "It is the Blessed One preaching to the Tree-Spirits. See how eagerly they lean from the boughs to listen. This other relief represents him in the state of mystic vision. Here he is drowned in peace. See how it overflows from the closed eyes; the closed lips. The air is filled with his quiet."
"What is he dreaming?"
"Not dreaming - seeing. Peace. He sits at the point where time and infinity meet. To attain that vision was the aim of the monks who lived here."
"Did they attain?" I found myself speaking as if she could certainly answer.
"A few. There was one, Vasettha, the Brahman, a young man who had renounced all his possessions and riches, and seated here before this image of the Blessed One, he fell often into the mystic state. He had a strange vision at one time of the future of India, which will surely be fulfilled. He did not forget it in his rebirths. He remembers-"
She broke off suddenly and said with forced indifference, - "He would sit here often looking out over the mountains; the monks sat at his feet to hear. He became abbot while still young. But his story is a sad one."
"I entreat you to tell me."
She looked away over the mountains. "While he was abbot here,- still a young man,- a famous Chinese Pilgrim came down through Kashmir to visit the Holy Places in India. The abbot went forward with him to Peshawar, that he might make him welcome. And there came a dancer to Peshawar, named Lilavanti, most beautiful! I dare not tell you her beauty. I tremble now to think-"
Again she paused, and again the faint creeping sense of mystery invaded me.
She resumed;-
"The abbot saw
Suddenly she quickened her pace. We had climbed about nine hundred feet, and now the narrow track twisted through the rocks - a track that looked as age-worn as no doubt it was. We threaded it, and struggled over the ridge, and looked down victorious on the other side.
There she stopped. A very wonderful sight, of which I had never seen the like, lay below us. Rock and waste and towering crags, and the mighty ruin of the monastery set in the fangs of the mountain like a robber baron's castle, looking far away to the blue mountains of the Debatable Land - the land of mystery and danger. It stood there - the great ruin of a vast habitation of men. Building after building, mysterious and broken, corridors, halls, refectories, cells; the dwelling of a faith so alien that I could not reconstruct the life that gave it being. And all sinking gently into ruin that in a century more would confound it with the roots of the mountains.
Grey and wonderful, it clung to the heights and looked with eyeless windows at the past. Somehow I found it infinitely pathetic; the very faith it expressed is dead in India, and none left so poor to do it reverence.
But Vanna knew her way. Unerringly she led me from point to point, and she was visibly at home in the intricacies. Such knowledge in a young woman bewildered me. Could she have studied the plans in the Museum? How else should she know where the abbot lived, or where the refractory brothers were punished?
Once I missed her, while I stooped to examine some scroll-work, and following, found her before one of the few images of the Buddha that the rapacious Museum had spared - a singularly beautiful bas-relief, the hand raised to enforce the truth the calm lips were speaking, the drapery falling in stately folds to the bare feet. As I came up, she had an air as if she had just ceased from movement, and I had a distinct feeling that she had knelt before it - I saw the look of worship! The thing troubled me like a dream, haunting, impossible, but real.
"How beautiful!" I said in spite of myself, as she pointed to the image. "In this utter solitude it seems the very spirit of the place."
"He was. He is," said Vanna.
"Explain to me. I don't understand. I know so little of him. What is the subject?"
She hesitated; then chose her words as if for a beginner;- "It is the Blessed One preaching to the Tree-Spirits. See how eagerly they lean from the boughs to listen. This other relief represents him in the state of mystic vision. Here he is drowned in peace. See how it overflows from the closed eyes; the closed lips. The air is filled with his quiet."
"What is he dreaming?"
"Not dreaming - seeing. Peace. He sits at the point where time and infinity meet. To attain that vision was the aim of the monks who lived here."
"Did they attain?" I found myself speaking as if she could certainly answer.
"A few. There was one, Vasettha, the Brahman, a young man who had renounced all his possessions and riches, and seated here before this image of the Blessed One, he fell often into the mystic state. He had a strange vision at one time of the future of India, which will surely be fulfilled. He did not forget it in his rebirths. He remembers-"
She broke off suddenly and said with forced indifference, - "He would sit here often looking out over the mountains; the monks sat at his feet to hear. He became abbot while still young. But his story is a sad one."
"I entreat you to tell me."
She looked away over the mountains. "While he was abbot here,- still a young man,- a famous Chinese Pilgrim came down through Kashmir to visit the Holy Places in India. The abbot went forward with him to Peshawar, that he might make him welcome. And there came a dancer to Peshawar, named Lilavanti, most beautiful! I dare not tell you her beauty. I tremble now to think-"
Again she paused, and again the faint creeping sense of mystery invaded me.
She resumed;-
"The abbot saw