The Ninth Vibration [43]
basin made by the Mogul Emperor Jehangir to receive the waters of a mighty Spring which wells from the hill and has been held sacred by Hindu and Moslem. And if loveliness can sanctify surely it is sacred indeed.
The tank was more than a hundred feet in diameter and circled by a roughly paved pathway where the little arched cells open that the devotees may sit and contemplate the lustral waters. There on a black stone, is sculptured the Imperial inscription comparing this spring to the holier wells of Paradise, and I thought no less of it, for it rushes straight from the rock with no aiding stream, and its waters are fifty feet deep, and sweep away from this great basin through beautiful low arches in a wild foaming river - the crystal life-blood of the mountains for ever welling away. The colour and perfect purity of this living jewel were most marvellous -clear blue-green like a chalcedony, but changing as the lights in an opal - a wonderful quivering brilliance, flickering with the silver of shoals of sacred fish.
But the Mogul Empire is with the snows of yesteryear and the wonder has passed from the Moslems into the keeping of the Hindus once more, and the Lingam of Shiva, crowned with flowers, is the symbol in the little shrine by the entrance. Surely in India, the gods are one and have no jealousies among them - so swiftly do their glories merge the one into the other.
"How all the Mogul Emperors loved running water," said Vanna. "I can see them leaning over it in their carved pavilions with delicate dark faces and pensive eyes beneath their turbans, lost in the endless reverie of the East while liquid melody passes into their dream. It was the music they best loved."
She was leading me into the royal garden below, where the young river flows beneath the pavilion set above and across the rush of the water.
"I remember before I came to India," she went on, "there were certain words and phrases that meant the whole East to me. It was an enchantment. The. first flash picture I had was Milton's-
'Dark faces with white silken turbans wreathed.'
and it still is. I have thought ever since that every man should wear a turban. It dignifies the un-comeliest and it is quite curious to see how many inches a man descends in the scale of beauty the moment he takes it off and you see only the skull-cap about which they wind it. They wind it with wonderful skill too. I have seen a man take eighteen yards of muslin and throw it round his head with a few turns, and in five or six minutes the beautiful folds were all in order and he looked like a king. Some of the Gujars here wear black ones and they are very effective and worth painting - the black folds and the sullen tempestuous black brows underneath."
We sat in the pavilion for awhile looking down on the rushing water, and she spoke of Akbar, the greatest of the Moguls, and spoke with a curious personal touch, as I thought.
"I wish you would try to write a story of him - one on more human lines than has been done yet. No one has accounted for the passionate quest of truth that was the real secret of his life. Strange in an Oriental despot if you think of it! It really can only be understood from the Buddhist belief, which curiously seems to have been the only one he neglected, that a mysterious Karma influenced all his thoughts. If I tell you as a key-note for your story, that in a past life he had been a Buddhist priest - one who had fallen away, would that in any way account to you for attempts to recover the lost way? Try to think that out, and to write the story, not as a Western mind sees it, but pure East."
"That would be a great book to write if one could catch the voices of the past. But how to do it?"
"I will give you one day a little book that may help you. The other story I wish you would write is the story of a Dancer of Peshawar. There is a connection between the two - a story of ruin and repentance."
"Will you tell it to me?"
"A part. In this same book you will find much more, hut not all. All cannot be told. You must imagine
The tank was more than a hundred feet in diameter and circled by a roughly paved pathway where the little arched cells open that the devotees may sit and contemplate the lustral waters. There on a black stone, is sculptured the Imperial inscription comparing this spring to the holier wells of Paradise, and I thought no less of it, for it rushes straight from the rock with no aiding stream, and its waters are fifty feet deep, and sweep away from this great basin through beautiful low arches in a wild foaming river - the crystal life-blood of the mountains for ever welling away. The colour and perfect purity of this living jewel were most marvellous -clear blue-green like a chalcedony, but changing as the lights in an opal - a wonderful quivering brilliance, flickering with the silver of shoals of sacred fish.
But the Mogul Empire is with the snows of yesteryear and the wonder has passed from the Moslems into the keeping of the Hindus once more, and the Lingam of Shiva, crowned with flowers, is the symbol in the little shrine by the entrance. Surely in India, the gods are one and have no jealousies among them - so swiftly do their glories merge the one into the other.
"How all the Mogul Emperors loved running water," said Vanna. "I can see them leaning over it in their carved pavilions with delicate dark faces and pensive eyes beneath their turbans, lost in the endless reverie of the East while liquid melody passes into their dream. It was the music they best loved."
She was leading me into the royal garden below, where the young river flows beneath the pavilion set above and across the rush of the water.
"I remember before I came to India," she went on, "there were certain words and phrases that meant the whole East to me. It was an enchantment. The. first flash picture I had was Milton's-
'Dark faces with white silken turbans wreathed.'
and it still is. I have thought ever since that every man should wear a turban. It dignifies the un-comeliest and it is quite curious to see how many inches a man descends in the scale of beauty the moment he takes it off and you see only the skull-cap about which they wind it. They wind it with wonderful skill too. I have seen a man take eighteen yards of muslin and throw it round his head with a few turns, and in five or six minutes the beautiful folds were all in order and he looked like a king. Some of the Gujars here wear black ones and they are very effective and worth painting - the black folds and the sullen tempestuous black brows underneath."
We sat in the pavilion for awhile looking down on the rushing water, and she spoke of Akbar, the greatest of the Moguls, and spoke with a curious personal touch, as I thought.
"I wish you would try to write a story of him - one on more human lines than has been done yet. No one has accounted for the passionate quest of truth that was the real secret of his life. Strange in an Oriental despot if you think of it! It really can only be understood from the Buddhist belief, which curiously seems to have been the only one he neglected, that a mysterious Karma influenced all his thoughts. If I tell you as a key-note for your story, that in a past life he had been a Buddhist priest - one who had fallen away, would that in any way account to you for attempts to recover the lost way? Try to think that out, and to write the story, not as a Western mind sees it, but pure East."
"That would be a great book to write if one could catch the voices of the past. But how to do it?"
"I will give you one day a little book that may help you. The other story I wish you would write is the story of a Dancer of Peshawar. There is a connection between the two - a story of ruin and repentance."
"Will you tell it to me?"
"A part. In this same book you will find much more, hut not all. All cannot be told. You must imagine