The Orphan Master's Son_ A Novel - Adam Johnson [88]
It was late afternoon when the truck descended into a river valley. On the near shore was a large encampment—thousands of people living in mud and squalor to be close to their loved ones on the other side. Across the bridge, everything changed. Through a flap in the black canvas, Jun Do could see harmonica-style barracks, hundreds of them, housing thousands of people, and soon the stink of distilling soy was in the air. The truck passed a crowd of small boys stripping the bark from a stack of yew branches. They had only their teeth to start the cut, their nails to peel back a flap, and their little biceps to then rip the branch clean. Normally, a sight like this would reassure him, make him feel comfortable. But Jun Do had seen no living boy so sinewy, and they moved faster than the Long Tomorrows orphans ever had.
The gates were a simple affair: there was one man to throw a large electrical switch while another wheeled back an electrified section of fencing. The medics removed old surgical gloves from their pockets, ones that had clearly been used many times, and pulled them on. They parked by a dark wooden building. The medics jumped out and told Jun Do to carry the cooler. But he didn’t move. His legs were filled with static, and he sat there, watching a woman rolling a tire past the back of the truck. Both of her legs were missing below the knee. She had a pair of work boots that she’d fashioned to wear backward, so that her short stumps went into the boots’ toe boxes while her knees were planted in the heels. The boots were laced up tight, and she was surprisingly nimble in them, swinging her short legs in circles in pursuit of the tire.
One of the medics picked up a handful of dirt and threw it in Jun Do’s face. His eyes filled with grit and welled over. He wanted to kick that punk’s head off. But this was not the place to make a mistake or do anything stupid. Besides, it was all he could do to swing his legs off the back of the truck and keep his balance while he hefted the cooler. No, it was best to get this over with and get out of here.
He followed the medics into a processing center, where there were dozens of infirmary cots filled with people who seemed on both sides of the edge of death. Listless and murmuring, they were like the fish at the bottom of the hold, offering no more than one last twitch of a gill when the knife came down. He saw the inward gaze of a heavy fever, the yellow-green skin of organ failure, and wounds that lacked only blood to keep bleeding. Spookiest of all, he couldn’t tell the men from the women.
Jun Do dropped the cooler on a table. His eyes were on fire, and trying to wipe them clean with his shirt only made them burn more. He had no choice. Opening the cooler, he used the blood-laced ice water to splash the dirt from his eyes. There was a guard in the room, sitting on a crate and leaning against the wall. He threw his cigarette away to accept an American Spirit cigarette from the medics. Jun Do came up to get a cigarette, too.
A medic turned to the guard. “Who is this guy?” he asked, indicating Jun Do.
The guard inhaled deep on his fancy cigarette. “Someone important enough to arrive on a Sunday,” he said.
“They’re my cigarettes,” Jun Do said, and the medic reluctantly gave him one.
The smoke was rich and smooth, and it was worth a little eye sting. An old woman entered the room. She was thin and bent and wore strips of cloth wrapped around her hands. She had a large camera on a wooden tripod that looked exactly like the one the Japanese photographer was using when they kidnapped her.
“There she is,” the guard said. “Time