The Overlook - Michael Connelly [15]
She said this last part while looking directly at Walling.
“Weren’t you afraid that they would kill you with it?” Bosch asked. “Why did you tell them where the gun was?”
Alicia Kent looked down at her hands.
“I was sitting there naked. I was already sure they were going to rape me and kill me. I guess I thought it didn’t matter anymore.”
Bosch nodded as if he understood.
“What else did they ask you, Mrs. Kent?”
“They wanted to know where the keys to the car were. I told them. I told them everything they wanted to know.”
“Is that your car they were talking about?”
“Yes, my car. In the garage. I keep the keys on the kitchen counter.”
“I checked the garage. It’s empty.”
“I heard the garage door—after they were here. They must’ve taken the car.”
Brenner abruptly stood up.
“We need to get this out,” he interjected. “Can you tell us what kind of car it is and the license plate number?”
“It’s a Chrysler Three Hundred. I can’t remember the number. I could look it up in our insurance file.”
Brenner held his hands up to stop her from getting up.
“Not necessary. I’ll be able to get it. I’m going to call it in right away.”
He got up to go to the kitchen to make the call without disturbing the interview. Bosch went back to his questions.
“What else did they ask you, Mrs. Kent?”
“They wanted our camera. The camera that worked with my husband’s computer. I told them Stanley had a camera that I thought was in his desk. Whenever I answered a question, one man—the one who asked them—would then translate to the other, and then that man left the room. I guess he went to get the camera.”
Now Walling stood up and headed toward the hallway leading to the bedrooms.
“Rachel, don’t touch anything,” Bosch said. “I have a crime scene team coming.”
Walling waved as she disappeared down the hall. Brenner then came back into the room and nodded to Bosch.
“The BOLO’s out,” he said.
Alicia Kent asked what a BOLO was.
“It means ‘be on the lookout,’” Bosch explained. “They’ll be looking for your car. What happened next with the two men, Mrs. Kent?”
She grew tearful again as she answered.
“They . . . they tied me in that awful way and gagged me with one of my husband’s neckties. Then after the one came back in with the camera, the other took a picture of me like that.”
Bosch noted the look of burning humiliation on her face.
“He took a photograph?”
“Yes, that’s all. Then they both left the room. The one who spoke English bent down and whispered that my husband would come to rescue me. Then he left.”
That brought a long space of silence before Bosch continued.
“After they left the bedroom, did they leave the house right away?” he asked.
The woman shook her head.
“I heard them talking for a little while, then I heard the garage door. It rumbles in the house like an earthquake. I felt it twice—it opened and closed. After that I thought they were gone.”
Brenner cut into the interview again.
“When I was in the kitchen I think I heard you say that one of the men translated for the other. Do you know what language they were speaking?”
Bosch was annoyed with Brenner for jumping in. He intended to ask about the language the intruders used but was carefully covering one aspect of the interview at a time. He had found in previous cases that it worked best with traumatized victims.
“I am not sure. The one who spoke in English had an accent but I don’t know where it was from. I think Middle Eastern. I think when they spoke to each other it was Arabic or something. It was foreign, very guttural. But I don’t know the different languages.”
Brenner nodded as if her answer was confirming something.
“Do you remember anything else about what the men might have asked you or said in English?” Bosch asked.
“No, that’s all.”
“You said they wore masks. What kind of masks?”
She thought for a moment before answering.
“The pullover kind. Like you see robbers put