The Painted Bird - Jerzy Kosinski [19]
Suddenly, at a moment when I was completely relaxed and unsuspecting, a fat man raised me high in the air and shouted something to the others. The crowd applauded and I was swiftly passed from hand to hand. Before I realized what they were doing, the large bladder was thrown into the water and I was flung on top of it. The bladder sank a little. Someone shoved it with a foot. I began to float away from the riverbank, feverishly hugging the buoyant balloon with my legs and hands, plunging now and again into the cold brownish river, screaming and begging for mercy.
But I was drifting farther and farther away. The people ran along the riverbank and waved their hands. Some hurled rocks which splashed at my side. One almost hit the bladder. The current was fast carrying me into the middle of the river. Both banks seemed unreachable. The crowd disappeared behind a hill.
A fresh breeze, which I had never felt on land, rippled over the water. I moved smoothly downstream. Several times the bladder sank almost completely under the light waves. But it bobbed up again, sailing on slowly and majestically. Then abruptly I was swept into a whirlpool. Round and round the bladder swirled, pulling away from and returning to the same spot.
I tried to swing it up and down to throw it out of the circuit by the movements of my body. I was agonized at the thought that I would have to spend all night in this manner. I knew that if the bladder should burst, I would immediately drown. I could not swim.
The sun was slowly setting. Every time the bladder turned, the sun shone straight into my eyes and its dazzling reflections danced on the shimmering surface. It grew chilly and the wind became more turbulent. The bladder, pushed by a new gust, glided out of the eddy.
I was miles from Olga’s village. The current carried me toward a shore obscured by a deepening shadow. I began to discern the marshes, the tall swaying clumps of rushes, the hidden nests of sleeping ducks. The bladder moved slowly through the scattered tufts of grass. Waterflies hovered nervously on every side of me. The yellow chalices of lilies rustled, and a frightened frog belched from a ditch. Suddenly a reed pierced the bladder. I stood on the spongy bottom.
It was completely still. I could hear vague voices, human or animal, in the alder groves and dank swamps. My body was doubled up with cramp and covered with gooseflesh. I listened intently, but the stillness was everywhere.
3
I was frightened to find myself entirely alone. But I remembered the two things which, according to Olga, were necessary for survival without human help. The first was a knowledge of plants and animals, familiarity with poisons and medicinal herbs. The other was possession of fire, or a “comet” of one’s own. The first was harder to obtain—it required a great deal of experience. The second consisted merely of a one-quart preserve can, open at one end and with a lot of small nail holes punched in the sides. A three-foot loop of wire was hooked to the top of the can by way of a handle, so that one could swing it either like a lasso or like a censer in church.
Such a small portable stove could serve as a constant source of heat and as a miniature kitchen. One filled it with any kind of fuel available, always keeping some sparks of fire at the bottom. By swinging the can energetically, one pumped air through the holes, as the blacksmith does with his bellows, while centrifugal force kept the fuel in place. A judicious choice of fuel and an appropriate swinging motion permitted the building up of heat suitable for various purposes, while steady stoking prevented the “comet” from going out. For example, the baking of potatoes, turnips, or fish required a slow