The Painted Bird - Jerzy Kosinski [33]
I darted into the courtyard in complete confusion. In the surrounding huts people tossed in the darkness. The village was astir; shouting could be heard in every direction. A dazed clustering throng, carrying axes and rakes, ran toward the carpenter’s burning barn. The dogs howled, and the women with babies in their arms struggled to keep their skirts down which the wind was lifting up shamelessly over their faces. Every living creature had rushed outside. Their tails raised, furious, bellowing cows, jabbed by ax handles and shovel blades, were running, while calves on lean, quivering legs tried in vain to cling to the udders of their mothers. Trampling down the fences, breaking off the barn doors, colliding in a stupor with invisible walls of houses, the oxen lunged with their heavy heads hung low. Frenzied hens spattered into the air.
After a moment I ran away. I believed that my hair had attracted the lightning to the barn and huts and that the mob would surely kill me if it saw me.
Fighting with the squalling gale, stumbling over stones, falling into trenches and waterlogged pits, I reached the forest. By the time I had run as far as the railroad track in the forest, the storm had passed and was superseded by a night full of the loud sounds of splashing raindrops. In a thicket nearby I found a protected hole. Crouching in it, I listened to the confessions of the mosses and waited there the night through.
A train was due to pass here at dawn. The track served mainly to transport timber from one station to another, a dozen miles apart. The cars carrying the logs were pulled by a small, slow locomotive.
When the train approached I ran for a while alongside the end car, jumped a low-slung step, and was carried away into the safe interior of the forest. After some time I noticed a flat part of the embankment and jumped down, plunging into the thick undergrowth, unnoticed by the guard on the locomotive.
As I walked through the forest, I discovered a cobblestone road overgrown with weeds, and evidently long abandoned. At its end stood a deserted military bunker with massive reinforced-concrete walls.
There was utter silence. I hid behind a tree and threw a stone at the closed door. It rebounded. The echo came back quickly, and then there was silence again. I walked around the bunker, stepping over broken ammunition crates, scraps of metal, and empty tin cans. I climbed to an upper terrace of the mound, and then to the very top, where I found bent cans and, somewhat farther off, a wide opening. When I leaned over the opening I smelled a foul odor of decay and dampness; from within I heard some muffled squeaking. I picked up an old helmet and dropped it through the opening. The squeaks multiplied. I began quickly to throw clods of earth into the hole, followed by pieces of metal hoops from the crates and lumps of concrete. The squeaks grew louder; there were animals living and floundering inside.
I found a piece of smooth sheet metal and reflected a beam of sunlight into the interior. I saw clearly now: several feet below the opening there surged, billowing and receding, a black churning sea of rats. This surface twitched in an uneven rhythm, glittering with countless eyes. The light revealed wet backs and hairless tails. Time and again, like the spray of a wave, dozens of long scrawny rats assaulted with spasmodic leaps the smooth inner wall of the bunker, only to fall back onto the spines of others.
I gazed at this rippling mass and saw how the rats were murdering and eating one another, pouncing on one another, furiously biting out chunks of flesh and shreds of skin. The spurts of blood enticed more rats to fight. Each rat tried to scramble out of this living mass, competing for a place at the top, for yet another attempt to climb the wall, for yet another torn piece of rump.
I quickly covered the opening with a tin panel and hastened on my journey through the forest. On the way