The Painted Drum - Louise Erdrich [33]
I pour sugar into the berries ready to boil in the blue enameled kettle. The berries soon fill the kitchen with a fruity steam, and stain the insides of the pot blue-black. As I stand there stirring down the dark mass, the calming motion of my spoon and the sweet curls of fragrance allow me to think with indulgence about the old controversies that once surrounded the kettle I am using. This kettle was a source of enmity between my mother and my father, and so it remains for me a souvenir of their eternal contest. They argued viciously about this pot. It seems a humble thing to argue over, but for them, everything was monumental. Nothing was too small.
My father didn’t like that my mother had spent so much money on it. And yet she made most of the money in the family—her business was well run even then. She even met my father through the business—he was there when she came in to assess the contents of his mother’s house. They married quietly. He was fascinated with her background, I think, as though she had some mystical connection to the natural world that he lacked and loved. That was, perhaps, true enough. Their main pleasure in their first years was planting, gardening, digging wells, ponds, making patios, and setting up benches where, still, one can sit and watch the fireflies signal. I came along and surprised them, and my sister a little more than two years after. Although she was younger and followed me everywhere, her personhood was always stronger than mine. Netta had all of the sandy-haired sun in our joint personality. She burned hot. She was just my opposite. Where I was quiet, neat, untiring when it came to detail, Netta was bold and impatient; she could be careless and even cruel.
When she was still six and I had just turned nine we caught fireflies in Mason jars. We wanted lanterns, so we filled the jars with at least a dozen bugs each, then lay in the backyard across an old car blanket and played a game of memory, our favorite game that summer. We played with three decks, the cards spread facedown all around us. By dusk and by firefly light we matched the cards slowly, one to the next, concentrating fiercely on the placement of each. I think that early training is the reason I remember anything at all. The lights ebbed and burned, but at last the fireflies seemed to tire. We gathered up the decks of cards and secured them with a rubber band. I let my fireflies out and watched them waver into the cool weeds and willow bushes that bordered the yard. Then I turned to see where my sister was. Netta had smashed her fireflies onto her face and chest so that she glowed in the dark. She ran, danced, an eerie slash of heat.
Our father was an underpaid professor of philosophy, endlessly reworking his thesis on Miguel de Unamuno into a book on faith and science. He commuted thirty miles to the college town, but only three days a week. He