The Painted Drum - Louise Erdrich [50]
She stood in the snowy clearing of her lover’s house with her baby, and watched the smoke curl from a small stovepipe chimney. A woman opened the door. Her face was pleasant, but worried, and she had the strong features of people on that side of the lake. In youth the women tended to be plain and as they matured their features gained a solid and attractive clarity. They grew beautiful. The woman’s smile seemed kind, though there was something too knowledgeable about it. She wore a flowered dress and a neat bib apron tied over her breasts and hips. She exuded the rich smell of cooking meat, or the house did, as she simultaneously brushed her children back and signaled Anaquot to enter. Stepping gratefully into the warm cabin, Anaquot felt a hand pluck at her shoulder, as though to draw her back, to warn her, but when she glanced behind her there was no one, only the empty snow of the yard where her tracks led to the house.
Had she imagined, later, another set of tracks beside hers? A set of careful, small, regular steps? It always seemed when she recalled entering the house that she had noticed she was accompanied there through the fresh snow of the empty yard. But then the drama of arrival took over. She was brought into the warmth. The woman—her man’s sister or sister-cousin, she assumed—showed her own children off to Anaquot. There were three. There was a bewildered-looking boy just out of the tikinagaan and starting to walk. An older daughter whose mouth curled hard and greedy, and who stared at Anaquot’s baby with the cold interest of a snake. There was a sturdy older brother just starting to get his growth, whose soft eyes reminded Anaquot of the eyes of the man she loved.
And where, anyway, was he?
Somehow, she didn’t want to ask. She thought she’d pick the clues up. Maybe he’d be back that night. She looked around for his things, perhaps the beaded ogichidaa vest that she remembered, or a pair of summer makizinan, a pipe, tobacco. But she saw nothing to indicate the presence of a grown man except the rifle gleaming on the white bone antlers set in the wall. And that could have been the woman’s gun. She didn’t know.
“Namadabin!” The woman gestured for her to sit, and Anaquot carefully wiped her hands clean on a white cloth before she smoothed back the fur of the bag that held the baby, and looked into her face. The new one was sleeping now, her mouth tipped open in trust to show delicate, dented gums. The rose brown cheeks were plump with mother’s milk, the perfectly formed head and face still wobbly on the stalklike neck. With her eyes shut in curved slant lines the baby was the picture of peace. But then the eyes opened and a little fire shot into the room. The baby was, after all, the child of an act of perfidy and thrilling joy.
What pain there had been in bearing the baby, Anaquot had welcomed. It had eclipsed her heart’s agonized dissatisfactions. Now, as she tried to get her bearings in the situation, she remembered that she’d been near death when she’d bled after the birth and it hadn’t mattered to her. That’s how deep she’d sunk into this. That thought strengthened her. Her heart surged when she realized she’d soon see her lover and her hands traced the rim of a tin tea mug before she set her lips to it. Had his own lips touched there too? Drinking tea that morning? Was this a kind of kiss?
“Aaniin izhinikaazoyan?” she asked the woman in a pleasant voice. By any measure of hospitality, the woman should have offered her name first, but perhaps in the intrigue of seeing such a young baby she had forgotten. Even now, the woman didn’t answer, as though she hadn’t heard or was distracted by a child’s request at the same time. She bustled, took some bannock from a cloth that had kept it warm; she gave Anaquot the bread, a bit of clear grease