The Painted Drum - Louise Erdrich [64]
He saw his little girl. She was alive and whole once again. She came into Shaawano’s house through the western door and stood before him in the fringed, brown plaid shawl. Her eyes, so beautifully slanted and dark, shone with a fervent love that seemed to flow straight into him. The painful terror frozen in his chest turned to water. Then she spoke.
“I know where they put the trees for the drum,” his daughter told him. “Many years ago they cut the logs and put them in the water down near Berry Point. A hundred years later they took them out to dry and set them up on a rock wash under a cliff. Now that wood is ready.”
“Ready for what?” said Shaawano.
“For making a drum.”
She stood there looking steadily at him for some time, and Shaawano knew she saw everything about him. She was wrapped in calm, reading the truth of his mean and shabby life. She nodded slowly as she discovered the sad things, the vicious, the cruel-hearted and even bizarre little crimes. A look of disbelieving sorrow passed over her face, but just when my grandfather thought that she would turn away from him, she stepped closer.
“We are waiting to sing with you,” she said in that gentle voice he had loved. He bent his head in grateful shame, and when he looked up she was gone.
Afterward, my grandfather lay on the rough boards of his floor, for how long he did not know. Tears leaked out of the corners of his eyes and ran down the sides of his face and puddled in his ears. His girl had visited from the other side of life, but though he wanted desperately to join her, he knew that her visit was meant expressly to give him a reason not to die yet. She had given him a task that was meant to keep him here upon the earth.
He didn’t start right away. He had to let the whole of what had happened sink into his mind. He remembered what he’d heard of great cedars set aside until generations should pass. This wood was being cured in a special place, where it would grow in strength and resonance. From each generation certain men and women had been chosen to look after the wood, to visit and talk to it, to catch it up on local history and smoke the pipe with it. Those who were chosen had always been the kindest and steadiest among the people, the ones everybody trusted. They were not sodden drunks, or mean, or anguished and sick to death, like my grandfather thought he was. They had not let their children die or be eaten by wolves or any other animal. They had not slept for weeks out in the woods because nobody wanted them in their house, as had happened to Shaawano. They had never lain in fear of what their brains would tell them to do next. They had never had no one to talk to but quarrelsome spirits. So Shaawano could not help but feel it impossible that he, out of everybody else in his generation, should be the one to use the wood that his people had cared for with such devotion, through time. He could not believe that he should be the one to make the drum.
He had to talk to someone. But all the people who had cared for the wood were dead. The people who had come to sit with his grandmother and grandfather were long gone into the world of spirits with his daughter. As for the ones closer to his age, he didn’t trust them.