The Painted Drum - Louise Erdrich [66]
During that first visit, he told her everything. He went through it all from the day he first realized that his wife was pregnant with another man’s child, to the waste of anger that followed when he’d driven off his son, to the dreams or visions he had experienced so recently and his questions and his hesitations, his belief that he was not worthy to make the drum. When he’d finished with all of it, the sky had gone dim through that one real window. Again, there was that comforting silence and in it he realized that Geeshik had not spoken. So at last he asked her the question he meant to ask.
“Why me?”
Geeshik sat there so quietly that he began to wonder if she’d even been listening at all. Then she rustled a little in her chair. Her voice came out a whisper, but her words were clear.
“Do just as she tells you.”
“But I don’t know how to do these things.”
“Just do as she tells you. That’s all you can do.”
My grandfather looked at her with an appalled desperation. She blinked back at him, sipped her cup of tea. It was too overwhelming—the sacred old wood, the dream instructions. His father had made drums but that was a world ago. And not only that, but they were hand drums. My grandfather remembered his father splitting the ash and bending it after it had soaked, creating the circle, the hoop. He himself had helped stretch the rawhide on and shaped it, but those drums were different. One-person drums only, not the drum his daughter meant. No, the drum that was to be made of that special wood was a drum that would attract the spirits in a powerful communion that my grandfather could not, and didn’t want to, think about.
“I must let this pass,” he said to Geeshik, shaking his head. “I’m not the man for it.”
Geeshik smiled a nodding smile. A very little smile. The sun came slanting through the window and warmed the smooth old table. Far away, someone chopped wood. The ax made a rhythmic, high, knocking sound. My grandfather closed his eyes and could see the movements of the chopper, steady and practiced and resigned. Over and over, the wood split, dropping to either side of the stump. The chopper neatly lifted each half on the ax blade and