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The Painted Drum - Louise Erdrich [72]

By Root 278 0
he willed. He sat with my grandfather, when he could sit still, and tried as best he could to be a son to the man who had left him in a cold house. But some things are only undone by the cruelest means. The ishkode wabo already had its hooks in my father’s gut. Every so often, he left my grandfather and got drunk. Still, he saw the making of the drum, or much of it. When there was something that he could do, he helped. At the same time, on his drunks, he learned all there was to know, and then some, about the goings-on of people near and far, even those across the lake. He learned about his mother, Anaquot, and the wife of the man she’d gone to, and about his half sister, the one they called Fleur, whom he’d hated for her innocent part in the killing of his older sister. All these things he told me at one time or another, or I heard them from other people closely involved, like old Albert. For the making of this drum, as you can imagine, given the caretaking of the wood and the advent of dreams and the tragic incidents and surprising redemptions surrounding its origins, made Anishinaabeg from miles all around both hopeful and curious. They came to visit my grandfather. Soon he had more help than he could manage, and more advice than he could trust.

My grandfather packed his tools into his canoe and outfitted himself to camp alongside those trees for as long as it would take. After he got to the place and set up his camp, he examined each tree for rot, chose one, and cut away branches from the smoothest and most symmetrical part of the trunk. He carefully marked the trunk all around and used ax, saw, and wedge to remove a section that would make the body of the drum. Once he had that section, he rolled it to his camp, where he would hollow it out. He already had a pile of smooth rocks heating in a blaze and he kept that fire going, feeding it hotter and hotter until the rocks glowed red when he rolled them from the fire with a piece of ironwood. He used a pair of antlers to place each rock exactly where he wanted it—on the heart of the wood. The stone burned itself in, leaving a shallow, charred hole. Once the stone cooled he replaced it with another, and so it went, a tedious, exacting process. The time it took seemed endless, but my grandfather needed that time now, because the drum could not be made with a wholly conscious plan. Parts of its making had to be dreamed.

When my grandfather fell asleep at night he looked forward to the possibility that something of the drum’s construction and character might be revealed. Wrapped snug in a woolen blanket, face covered with a light cloth, he drifted off in a state of comfort. He’d never rested so well. Spirits came to him, but not to torment; they were curious as their people, the Anishinaabeg, and wanted to know what Old Shaawano was doing and how the drum was progressing. Half-conscious, my grandfather heard murmuring and low arguments, tinkling bells and footsteps. Where before these sounds had frightened him, now he was lulled. He felt secure as a child snuggled up in the corner of the cabin while the grown-ups talk low and laugh around the stove.

When my grandfather had finished with the main body of the drum, he lashed it into his canoe and started paddling for home. His vision of how he would dress the drum was still incomplete—the colors, symbols, and type of ornament the drum required still evaded his dreams. He couldn’t get a picture in his mind. But on the way back, something happened that he was to describe many times after in his life. He reached the smooth waters of the bay across which stood his cabin, just as the sun threw red light off, going down. A great cloud had come up behind him and lowered a blue shadow across the water. Just where that cloud stopped and the clear red sky began, there was a line of brilliant space. A yellow line glowed across the earth and the lake with a startling radiance. As my grandfather paddled into that dazzling moment then, he heard a little girl’s voice calling from shore. From the south there was a clap of thunder. From

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