The Painted Drum - Louise Erdrich [95]
Ira took the food to Apitchi’s room. He was still sleeping, his arms tucked close. He huddled in the sheets. Ira arranged the food on the windowsill and then she sat down next to Apitchi’s bed. Slowly, she reached over, selected a carton of milk, and sipped it. The chocolate milk was rich, cold, and she felt it trickle all the way down to her stomach. Next, she ate the yogurts—first the blueberry then strawberry—taking little precise scoops with a plastic spoon. She put her head back on the chair and rested for a while. She ate the peaches and the crackers. Then she drank the last milk. When Apitchi woke, he looked anxiously all around the room and let his gaze rest, at last, on his mother’s face. I don’t know what I will do if he hates me too, Ira thought, but when he realized it was she, he burst into tears and tried to hold his arms out. Ira went to him gratefully. His arm was strapped to a board along with the IV and his other hand was taped to a little paddle so he couldn’t reach over and pull out the needle. Ira carefully positioned him against her so that she could read a picture book to him. She read it six times, the same book, until it made her sleepy. She leaned back in the bed with Apitchi and felt his heart beating right over her heart.
When she woke from her light sleep with Apitchi, it was late afternoon. All of her children were still asleep. She went to Morris’s room and stood in the entrance. He was looking at her with his lids half shut. His bandages had fallen off. She said hello, and he seemed to acknowledge her by gazing at her peacefully, but when his expression did not change, she realized from his deep breathing that he was actually asleep with his eyes open. This sight startled and made her want to turn away, but she was held by the strangeness of exchanging this calm regard with a person who was unconscious and maybe even dreaming.
“It’s Ira,” she said, when he stirred. “If you want to keep sleeping, I’ll go.”
“No, I’m not tired.” He sat up and fixed the bandages back over his eyes. “Just bored. They’re gonna bring my tape player and my tapes in later.”
“Maybe I could read to you,” said Ira. “I just finished reading to my little boy.”
“What did you read him?”
“Green Eggs and Ham.”
“I’ve heard that one,” said Morris.
“Well, I could get you another,” said Ira. “Probably they have a bunch of books somewhere.”
“Okay,” said Morris, “if you find a good one, you read it to me. It’s a deal.”
“I’ll check downstairs later.”
Ira stood awkwardly in the doorway, not sure whether to sit down or to leave.
“Look,” said Morris. “I gotta say, I’m sorry. It’s about what I was thinking, what I implied, when I stopped the truck on the road.”
Ira dragged a chair next to the bed, sat down. She put her elbows on her knees, her head in her hands. Now that the bandages were on he couldn’t see, so what did it matter. She had wondered if he was going to mention that moment.
“You were lonely, and me, I was desperate,” she said at last. “And it’s true, I was after some money. If somebody had offered me money to fuck them, I would have done it earlier, but then your brother gave me money for some groceries, so I wasn’t that desperate anymore.”
“He screwed me, then!”
She laughed a little. “We should let it go, I mean, because the kids are gonna be alive and they could have…whatever. But they’re okay. Your sister-in-law visited me.”
“Seraphine. War wounds.”
“She was in the army? Which one?”
“The one that was conducted on us where they took our children prisoner.”
“She went to boarding school then.”
“Yes. And now as I have scratched up my corneas to the point of ulceration, I truly see through a glass darkly, as in Corinthians.”
“That’s the Bible,” said Ira.
“Yes, the New Testament, which is on twenty-four double sided tapes.”
“So you lay in the dark and you listen to the Bible.”
“That Old Testament, especially, rated R for sex