The Path of the King [51]
head.
"When does it start?" he asked.
"Ah, that we common folk do not know. But there will be a signal. Father Antoine has promised us a signal. But messieurs have not badges. Perhaps they do not need them for their faces will be known. Nevertheless for better security it might be well. . . ." He stopped with the air of a huckster crying his wares.
Gaspard spoke a word to Champernoun in Spanish. Then to the landlord: "We are strangers, so must bow to the custom of your city. Have you a man to send to the Hotel de Guise?"
"Why trouble the Duke, my lord?" was the answer. "See, I will make you badges."
He tore up a napkin, and bound two white strips crosswise on their left arms, and pinned a rag to their bonnets. "There, messieurs, you are now wearing honest colours for all to see. It is well, for presently blood will be hot and eyes blind."
Gaspard flung him a piece of gold, and he bowed himself out. "Bonne fortune, lordships," were his parting words. "'Twill be a great night for our Lord Christ and our Lord King."
"And his lord the Devil," said Champernoun. "What madness has taken your good France? These are Spanish manners, and they sicken me. Cockades and signals and such-like flummery!"
The other's face had grown sober. "For certain hell is afoot to-night. It is the Admiral they seek. The Guisards and their reiters and a pack of 'prentices maddened by sermons. I would to God he were in the Palace with the King of Navarre and the young Conde."
"But he is well guarded. I heard that a hundred Huguenots' swords keep watch by his house."
"Maybe. But we of the religion are too bold and too trustful. We are not match for the Guises and their Italian tricks. I think we will go to Coligny's lodgings. Mounted, for a man on a horse has an advantage if the mob are out!"
The two left the tavern, both sniffing the air as if they found it tainted. The streets were filling now, and men were running as if to a rendezvous, running hot-foot without speech and without lights. Most wore white crosses on their left sleeve. The horses waited, already saddled, in stables not a furlong apart, and it was the work of a minute to bridle and mount. The two as if by a common impulse halted their beasts at the mouth of the Rue du Coq, and listened. The city was quiet on the surface, but there was a low deep undercurrent of sound, like the soft purring of a lion before he roars. The sky was bright with stars. There was no moon, but over the Isle was a faint tremulous glow.
"It is long past midnight," said Gaspard; "in a little it will be dawn."
Suddenly a shot cracked out. It was so sharp a sound among the muffled noises that it stung the ear like a whip-lash. It came from the dark mass of the Louvre, from somewhere beyond the Grand Jardin. It was followed instantly by a hubbub far down the Rue St. Honore and a glare kindled where that street joined the Rue d'Arbre Sec.
"That way lies the Admiral," Gaspard cried. "I go to him," and he clapped spurs to his horse.
But as his beast leapt forward another sound broke out, coming apparently from above their heads. It was the clanging of a great bell.
There is no music so dominant as bells. Their voice occupies sky as well as earth, and they overwhelm the senses, so that a man's blood must keep pace with their beat. They can suit every part, jangling in wild joy, or copying the slow pace of sorrow, or pealing in ordered rhythm, blithe but with a warning of mortality in their cadence. But this bell played dance music. It summoned to an infernal jig. Blood and fever were in its broken fall, hate and madness and death.
Gaspard checked his plunging horse. "By God, it is from St. Germains l'Auxerrois! The Palace church. The King is in it. It is a plot against our faith. They have got the pick of us in their trap and would make an end of us."
>From every house and entry men and women and priests were pouring to swell the army that pressed roaring eastwards. No one heeded the two as they sat their horses like rocks in the middle of a torrent.
"The Admiral is
"When does it start?" he asked.
"Ah, that we common folk do not know. But there will be a signal. Father Antoine has promised us a signal. But messieurs have not badges. Perhaps they do not need them for their faces will be known. Nevertheless for better security it might be well. . . ." He stopped with the air of a huckster crying his wares.
Gaspard spoke a word to Champernoun in Spanish. Then to the landlord: "We are strangers, so must bow to the custom of your city. Have you a man to send to the Hotel de Guise?"
"Why trouble the Duke, my lord?" was the answer. "See, I will make you badges."
He tore up a napkin, and bound two white strips crosswise on their left arms, and pinned a rag to their bonnets. "There, messieurs, you are now wearing honest colours for all to see. It is well, for presently blood will be hot and eyes blind."
Gaspard flung him a piece of gold, and he bowed himself out. "Bonne fortune, lordships," were his parting words. "'Twill be a great night for our Lord Christ and our Lord King."
"And his lord the Devil," said Champernoun. "What madness has taken your good France? These are Spanish manners, and they sicken me. Cockades and signals and such-like flummery!"
The other's face had grown sober. "For certain hell is afoot to-night. It is the Admiral they seek. The Guisards and their reiters and a pack of 'prentices maddened by sermons. I would to God he were in the Palace with the King of Navarre and the young Conde."
"But he is well guarded. I heard that a hundred Huguenots' swords keep watch by his house."
"Maybe. But we of the religion are too bold and too trustful. We are not match for the Guises and their Italian tricks. I think we will go to Coligny's lodgings. Mounted, for a man on a horse has an advantage if the mob are out!"
The two left the tavern, both sniffing the air as if they found it tainted. The streets were filling now, and men were running as if to a rendezvous, running hot-foot without speech and without lights. Most wore white crosses on their left sleeve. The horses waited, already saddled, in stables not a furlong apart, and it was the work of a minute to bridle and mount. The two as if by a common impulse halted their beasts at the mouth of the Rue du Coq, and listened. The city was quiet on the surface, but there was a low deep undercurrent of sound, like the soft purring of a lion before he roars. The sky was bright with stars. There was no moon, but over the Isle was a faint tremulous glow.
"It is long past midnight," said Gaspard; "in a little it will be dawn."
Suddenly a shot cracked out. It was so sharp a sound among the muffled noises that it stung the ear like a whip-lash. It came from the dark mass of the Louvre, from somewhere beyond the Grand Jardin. It was followed instantly by a hubbub far down the Rue St. Honore and a glare kindled where that street joined the Rue d'Arbre Sec.
"That way lies the Admiral," Gaspard cried. "I go to him," and he clapped spurs to his horse.
But as his beast leapt forward another sound broke out, coming apparently from above their heads. It was the clanging of a great bell.
There is no music so dominant as bells. Their voice occupies sky as well as earth, and they overwhelm the senses, so that a man's blood must keep pace with their beat. They can suit every part, jangling in wild joy, or copying the slow pace of sorrow, or pealing in ordered rhythm, blithe but with a warning of mortality in their cadence. But this bell played dance music. It summoned to an infernal jig. Blood and fever were in its broken fall, hate and madness and death.
Gaspard checked his plunging horse. "By God, it is from St. Germains l'Auxerrois! The Palace church. The King is in it. It is a plot against our faith. They have got the pick of us in their trap and would make an end of us."
>From every house and entry men and women and priests were pouring to swell the army that pressed roaring eastwards. No one heeded the two as they sat their horses like rocks in the middle of a torrent.
"The Admiral is