The Pillars of the Earth - Ken Follett [3]
Most of the townspeople had not been in court, for court days were not holidays and they all had to make a living, so this was the first time they had seen the thief. He was quite young, somewhere between twenty and thirty years of age, and of normal height and build, but otherwise his appearance was strange. His skin was as white as the snow on the roofs, he had protuberant eyes of startling bright green, and his hair was the color of a peeled carrot. The maids thought he was ugly; the old women felt sorry for him; and the small boys laughed until they fell down.
The sheriff was a familiar figure, but the other three men who had sealed the thief’s doom were strangers. The knight, a fleshy man with yellow hair, was clearly a person of some importance, for he rode a war-horse, a huge beast that cost as much as a carpenter earned in ten years. The monk was much older, perhaps fifty or more, a tall, thin man who sat slumped in his saddle as if life were a wearisome burden to him. Most striking was the priest, a young man with a sharp nose and lank black hair, wearing black robes and riding a chestnut stallion. He had an alert, dangerous look, like a black cat that could smell a nest of baby mice.
A small boy took careful aim and spat at the prisoner. It was a good shot and caught him between the eyes. He snarled a curse and lunged at the spitter, but he was restrained by the ropes attaching him to the sides of the cart. The incident was not remarkable except that the words he spoke were Norman French, the language of the lords. Was he high-born, then? Or just a long way from home? Nobody knew.
The ox cart stopped beneath the gallows. The sheriff’s bailiff climbed onto the flatbed of the cart with the noose in his hand. The prisoner started to struggle. The boys cheered—they would have been disappointed if the prisoner had remained calm. The man’s movements were restricted by the ropes tied to his wrists and ankles, but he jerked his head from side to side, evading the noose. After a moment the bailiff, a huge man, stepped back and punched the prisoner in the stomach. The man doubled over, winded, and the bailiff slipped the rope over his head and tightened the knot. Then he jumped down to the ground and pulled the rope taut, securing its other end to a hook in the base of the gallows.
This was the turning point. If the prisoner struggled now, he would only die sooner.
The men-at-arms untied the prisoner’s legs and left him standing alone on the bed of the cart, his hands bound behind his back. A hush fell on the crowd.
There was often a disturbance at this point: the prisoner’s mother would have a screaming fit, or his wife would pull out a knife and rush the platform in a last-minute attempt to rescue him. Sometimes the prisoner called upon God for forgiveness or pronounced blood-curdling curses on his executioners. The men-at-arms now stationed themselves on either side of the scaffold, ready to deal with any incident.
That was when the prisoner began to sing.
He had a high tenor voice, very pure. The words were French, but even those who could not understand the language could tell by its plaintive melody that it was a song of sadness and loss.
A lark, caught in a hunter’s net
Sang sweeter then than ever,
As if the falling melody
Might wing and net dissever.
As he sang he looked directly at someone in the crowd. Gradually a space formed around the person, and everyone could see her.
She was a girl of about fifteen. When people looked at her they wondered why they had not noticed her before. She had long dark-brown hair, thick and rich, which came to a point on her wide forehead in what people called a devil’s peak. She had regular features and a sensual, full-lipped mouth. The old women noticed her thick waist and heavy breasts, concluded that she was pregnant,