The Pit [116]
and his doctor forbade him to stir out of doors. Mrs. Cressler explained that Charlie had something on his mind these days, that was making an old man of him.
"He don't ever talk shop with me," she said. "I'm sure he hasn't been speculating, but he's worried and fidgety to beat all I ever saw, this last week; and now this evening he had to take himself off to meet some customer or other at the Palmer House."
They dropped Mrs. Cressler at the door of her home and then went on to the Jadwins'.
"I remember," said Laura to Corthell, "that once before the three of us came home this way. Remember? It was the night of the opera. That was the night I first met Mr. Jadwin."
"It was the night of the Helmick failure," said Page, seriously, "and the office buildings were all lit up. See," she added, as they drove up to the house, "there's a light in the library, and it must be nearly one o'clock. Mr. Jadwin is up yet."
Laura fell suddenly silent. When was it all going to end, and how? Night after night her husband shut himself thus in the library, and toiled on till early dawn. She enjoyed no companionship with him. Her evenings were long, her time hung with insupportable heaviness upon her hands.
"Shall you be at home?" inquired Corthell, as he held her hand a moment at the door. "Shall you be at home to-morrow evening? May I come and play to you again?"
"Yes, yes," she answered. "Yes, I shall be home. Yes, do come."
Laura's carriage drove the artist back to his apartments. All the way he sat motionless in his place, looking out of the window with unseeing eyes. His cigarette went out. He drew another from his case, but forgot to light it.
Thoughtful and abstracted he slowly mounted the stairway--the elevator having stopped for the night--to his studio, let himself in, and, throwing aside his hat and coat, sat down without lighting the gas in front of the fireplace, where (the weather being even yet sharp) an armful of logs smouldered on the flagstones.
His man, Evans, came from out an inner room to ask if he wanted anything. Corthell got out of his evening coat, and Evans brought him his smoking-jacket and set the little table with its long tin box of cigarettes and ash trays at his elbow. Then he lit the tall lamp of corroded bronze, with its heavy silk shade, that stood on a table in the angle of the room, drew the curtains, put a fresh log upon the fire, held the tiny silver alcohol burner to Corthell while the latter lighted a fresh cigarette, and then with a murmured "Good-night, sir," went out, closing the door with the precaution of a depredator.
This suite of rooms, facing the Lake Front, was what Corthell called "home," Whenever he went away, he left it exactly as it was, in the charge of the faithful Evans; and no mater how long he was absent, he never returned thither without a sense of welcome and relief. Even now, perplexed as he was, he was conscious of a feeling of comfort and pleasure as he settled himself in his chair.
The lamp threw a dull illumination about the room. It was a picturesque apartment, carefully planned. Not an object that had not been chosen with care and the utmost discrimination. The walls had been treated with copper leaf till they produced a sombre, iridescent effect of green and faint gold, that suggested the depth of a forest glade shot through with the sunset. Shelves bearing eighteenth-century books in seal brown tree calf--Addison, the "Spectator," Junius and Racine, Rochefoucauld and Pascal hung against it here and there. On every hand the eye rested upon some small masterpiece of art or workmanship. Now it was an antique portrait bust of the days of decadent Rome, black marble with a bronze tiara; now a framed page of a fourteenth-century version of "Li Quatres Filz d'Aymon," with an illuminated letter of miraculous workmanship; or a Renaissance gonfalon of silk once white but now brown with age, yet in the centre blazing with the escutcheon and quarterings of a dead queen. Between the windows stood an ivory statuette of the "Venus
"He don't ever talk shop with me," she said. "I'm sure he hasn't been speculating, but he's worried and fidgety to beat all I ever saw, this last week; and now this evening he had to take himself off to meet some customer or other at the Palmer House."
They dropped Mrs. Cressler at the door of her home and then went on to the Jadwins'.
"I remember," said Laura to Corthell, "that once before the three of us came home this way. Remember? It was the night of the opera. That was the night I first met Mr. Jadwin."
"It was the night of the Helmick failure," said Page, seriously, "and the office buildings were all lit up. See," she added, as they drove up to the house, "there's a light in the library, and it must be nearly one o'clock. Mr. Jadwin is up yet."
Laura fell suddenly silent. When was it all going to end, and how? Night after night her husband shut himself thus in the library, and toiled on till early dawn. She enjoyed no companionship with him. Her evenings were long, her time hung with insupportable heaviness upon her hands.
"Shall you be at home?" inquired Corthell, as he held her hand a moment at the door. "Shall you be at home to-morrow evening? May I come and play to you again?"
"Yes, yes," she answered. "Yes, I shall be home. Yes, do come."
Laura's carriage drove the artist back to his apartments. All the way he sat motionless in his place, looking out of the window with unseeing eyes. His cigarette went out. He drew another from his case, but forgot to light it.
Thoughtful and abstracted he slowly mounted the stairway--the elevator having stopped for the night--to his studio, let himself in, and, throwing aside his hat and coat, sat down without lighting the gas in front of the fireplace, where (the weather being even yet sharp) an armful of logs smouldered on the flagstones.
His man, Evans, came from out an inner room to ask if he wanted anything. Corthell got out of his evening coat, and Evans brought him his smoking-jacket and set the little table with its long tin box of cigarettes and ash trays at his elbow. Then he lit the tall lamp of corroded bronze, with its heavy silk shade, that stood on a table in the angle of the room, drew the curtains, put a fresh log upon the fire, held the tiny silver alcohol burner to Corthell while the latter lighted a fresh cigarette, and then with a murmured "Good-night, sir," went out, closing the door with the precaution of a depredator.
This suite of rooms, facing the Lake Front, was what Corthell called "home," Whenever he went away, he left it exactly as it was, in the charge of the faithful Evans; and no mater how long he was absent, he never returned thither without a sense of welcome and relief. Even now, perplexed as he was, he was conscious of a feeling of comfort and pleasure as he settled himself in his chair.
The lamp threw a dull illumination about the room. It was a picturesque apartment, carefully planned. Not an object that had not been chosen with care and the utmost discrimination. The walls had been treated with copper leaf till they produced a sombre, iridescent effect of green and faint gold, that suggested the depth of a forest glade shot through with the sunset. Shelves bearing eighteenth-century books in seal brown tree calf--Addison, the "Spectator," Junius and Racine, Rochefoucauld and Pascal hung against it here and there. On every hand the eye rested upon some small masterpiece of art or workmanship. Now it was an antique portrait bust of the days of decadent Rome, black marble with a bronze tiara; now a framed page of a fourteenth-century version of "Li Quatres Filz d'Aymon," with an illuminated letter of miraculous workmanship; or a Renaissance gonfalon of silk once white but now brown with age, yet in the centre blazing with the escutcheon and quarterings of a dead queen. Between the windows stood an ivory statuette of the "Venus