The Pit [21]
away in the direction of the river or the Lake Front, came the faint sounds of steamer and tug whistles. The sidewalks in either direction were deserted. Only a solitary policeman, his star pinned to he outside of his dripping rubber coat, his helmet shedding rivulets, stood on the corner absorbed in the contemplation of the brown torrent of the gutter plunging into a sewer vent.
Landry and Laura were in the library at the rear of the house, a small room, two sides of which were occupied with book-cases. They were busy putting the books in place. Laura stood half-way up the step-ladder taking volume after volume from Landry as he passed them to her.
"Do you wipe them carefully, Landry?" she asked.
He held a strip of cloth torn from an old sheet in his hand, and rubbed the dust from each book before he handed it to her.
"Yes, yes; very carefully," he assured her. "Say," he added, "where are all your modern novels? You've got Scott and Dickens and Thackeray, of course, and Eliot-- yes, and here's Hawthorne and Poe. But I haven't struck anything later than Oliver Wendell Holmes."
Laura put up her chin. "Modern novels--no indeed. When I've yet to read 'Jane Eyre,' and have only read 'Ivanhoe' and 'The Newcomes' once."
She made a point of the fact that her taste was the extreme of conservatism, refusing to acknowledge hardly any fiction that was not almost classic. Even Stevenson aroused her suspicions.
"Well, here's 'The Wrecker,' "observed Landry, handing it up to her. "I read it last summer-vacation at Waukesha. Just about took the top of my head off."
"I tried to read it," she answered. "Such an outlandish story, no love story in it, and so coarse, so brutal, and then so improbable. I couldn't get interested."
But abruptly Landry uttered an exclamation:
"Well, what do you call this? 'Wanda,' by Ouida. How is this for modern?"
She blushed to her hair, snatching the book from him.
"Page brought it home. It's hers."
But her confusion betrayed her, and Landry shouted derisively.
"Well, I _did_ read it then," she suddenly declared defiantly. "No, I'm not ashamed. Yes, I read it from cover to cover. It made me cry like I haven't cried over a book since I was a little tot. You can say what you like, but it's beautiful--a beautiful love story-- and it does tell about noble, unselfish people. I suppose it has its faults, but it makes you feel better for reading it, and that's what all your 'Wreckers' in the world would never do."
"Well," answered Landry, "I don't know much about that sort of thing. Corthell does. He can talk you blind about literature. I've heard him run on by the hour. He says the novel of the future is going to be the novel without a love story."
But Laura nodded her head incredulously.
"It will be long after I am dead--that's one consolation," she said.
"Corthell is full of crazy ideas anyhow," Landry went on, still continuing to pass the books up to her. "He's a good sort, and I like him well enough, but he's the kind of man that gets up a reputation for being clever and artistic by running down the very one particular thing that every one likes, and cracking up some book or picture or play that no one has ever heard of. Just let anything get popular once and Sheldon Corthell can't speak of it without shuddering. But he'll go over here to some Archer Avenue pawn shop, dig up an old brass stewpan, or coffee-pot that some greasy old Russian Jew has chucked away, and he'll stick it up in his studio and regularly kow-tow to it, and talk about the 'decadence of American industrial arts.' I've heard him. I say it's pure affectation, that's what it is, pure affectation."
But the book-case meanwhile had been filling up, and now Laura remarked:
"No more, Landry. That's all that will go here."
She prepared to descend from the ladder. In filling the higher shelves she had mounted almost to the top- most step.
"Careful now," said Landry, as he came forward. "Give me your hand."
She gave it to him, and then, as she descended,
Landry and Laura were in the library at the rear of the house, a small room, two sides of which were occupied with book-cases. They were busy putting the books in place. Laura stood half-way up the step-ladder taking volume after volume from Landry as he passed them to her.
"Do you wipe them carefully, Landry?" she asked.
He held a strip of cloth torn from an old sheet in his hand, and rubbed the dust from each book before he handed it to her.
"Yes, yes; very carefully," he assured her. "Say," he added, "where are all your modern novels? You've got Scott and Dickens and Thackeray, of course, and Eliot-- yes, and here's Hawthorne and Poe. But I haven't struck anything later than Oliver Wendell Holmes."
Laura put up her chin. "Modern novels--no indeed. When I've yet to read 'Jane Eyre,' and have only read 'Ivanhoe' and 'The Newcomes' once."
She made a point of the fact that her taste was the extreme of conservatism, refusing to acknowledge hardly any fiction that was not almost classic. Even Stevenson aroused her suspicions.
"Well, here's 'The Wrecker,' "observed Landry, handing it up to her. "I read it last summer-vacation at Waukesha. Just about took the top of my head off."
"I tried to read it," she answered. "Such an outlandish story, no love story in it, and so coarse, so brutal, and then so improbable. I couldn't get interested."
But abruptly Landry uttered an exclamation:
"Well, what do you call this? 'Wanda,' by Ouida. How is this for modern?"
She blushed to her hair, snatching the book from him.
"Page brought it home. It's hers."
But her confusion betrayed her, and Landry shouted derisively.
"Well, I _did_ read it then," she suddenly declared defiantly. "No, I'm not ashamed. Yes, I read it from cover to cover. It made me cry like I haven't cried over a book since I was a little tot. You can say what you like, but it's beautiful--a beautiful love story-- and it does tell about noble, unselfish people. I suppose it has its faults, but it makes you feel better for reading it, and that's what all your 'Wreckers' in the world would never do."
"Well," answered Landry, "I don't know much about that sort of thing. Corthell does. He can talk you blind about literature. I've heard him run on by the hour. He says the novel of the future is going to be the novel without a love story."
But Laura nodded her head incredulously.
"It will be long after I am dead--that's one consolation," she said.
"Corthell is full of crazy ideas anyhow," Landry went on, still continuing to pass the books up to her. "He's a good sort, and I like him well enough, but he's the kind of man that gets up a reputation for being clever and artistic by running down the very one particular thing that every one likes, and cracking up some book or picture or play that no one has ever heard of. Just let anything get popular once and Sheldon Corthell can't speak of it without shuddering. But he'll go over here to some Archer Avenue pawn shop, dig up an old brass stewpan, or coffee-pot that some greasy old Russian Jew has chucked away, and he'll stick it up in his studio and regularly kow-tow to it, and talk about the 'decadence of American industrial arts.' I've heard him. I say it's pure affectation, that's what it is, pure affectation."
But the book-case meanwhile had been filling up, and now Laura remarked:
"No more, Landry. That's all that will go here."
She prepared to descend from the ladder. In filling the higher shelves she had mounted almost to the top- most step.
"Careful now," said Landry, as he came forward. "Give me your hand."
She gave it to him, and then, as she descended,