The Plague of Doves - Louise Erdrich [112]
Warren slides down the wall, his hand over his heart like he is taking the pledge. His head slumps down onto his chest. The rest of us sit back down, too. Calm rains upon us and a strange peace fills our stomachs and slows our hearts. The playing goes on in the most penetrating, lovely, endless way. I don’t know how long it lasts. I don’t know when or if it ever really ends. Warren has fallen over. A nurse plods over to check his pulse. The playing of the violin is the only thing in the world and in that music there is dark assurance. The music understands, and it will be there whether we stay in pain or gain our sanity, which is also painful. I am small. I am whole. Nothing matters. Things are startling and immense. When the music is just reverberations, I stand up. The nurse is checking her watch and frowning at it first, then down at Warren, then at her watch again. I stand next to Corwin as he carefully replaces his violin in its case and snaps the latches down. I look at my cousin and he looks at me—under those eyebrows, he gives his wicked, shy grin and points his lips in a kiss, toward the door.
“I can’t leave here,” I say.
And I walk out of that place.
WHEN I LEFT the hospital with Corwin, I took my purse and my diary and nothing else. I left Anas—the entire boxed set—annotated. In the margins where she described tall buildings—phallic? And where she noted the cast of light on a Paris afternoon—impressionistic? Where she loved a woman, question marks, exclamation points, checks, and stars. I didn’t know if I could actually bear leaving the safety of the hospital, but I just kept going until we reached Corwin’s car. I’d lost a lot of weight and hardly exercised, so I was dizzy and had to ask Corwin to stop the car once so I could puke. Corwin was living with my aunt and Judge Coutts, and he said that the two of them had changed his life and given him self-confidence. When he first moved in, he hadn’t entirely stopped using or supplying (of course the two of them didn’t know this), but after I went to the mental hospital he meditated on this form of commerce and ended up laying it down for good. He was straight now, he said, which gave me an opening.
“Well, I’m not. I’m a lesbian,” I told him.
He said I couldn’t be. I didn’t dress like one.
“Like you’d know,” I said.
He says he did know. He’d been around. “They dress like me, aaaay.”
We drove along quietly for a while.
“I’m really sorry I gave you that acid, man,” he said. “Did it, you know, change your head around?”
“You mean did it make me a lesbian?”
He nodded.
“I don’t think so.”
We drove some more. We’d known each other stoned, sick, drunk. We’d beaten each other up in Catholic school, so silence between us was comfortable, even a relief. I looked out the cracked car window—the world was beautiful all along the road. Some of the fields were great mirrors of melted water. Golden light blazed on the slick surface. I started feeling better. Sitting in a car with the boy whose name I had written a million times on my body, and besides that, in blood, and telling him about Nonette and having him take it pretty much in stride took some of the dark glamour from my feelings.
“Do you actually know any lesbians?” I asked.
“Not to talk to,” he said. Then, a moment later, “Or any I could set you up with, if that’s what you want.”
A heated flush rose along my collarbone.
“Hey,” Corwin said after a while, “you don’t have to go anywhere with this thing just yet. Take it easy.”
I didn’t answer, but I felt better thinking I did not have to rush out and do anything about being a lesbian. I could just exist with it and get used to it for as long as I wanted. Nobody could tell from looking at me. I looked basically the same, though frail. And I looked sad. I knew because my mother said my sadness made her cry. But sitting