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The Plague of Doves - Louise Erdrich [120]

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my pocket and tucked the letter into my bra. I closed the door, set the rest of the mail on the neat little side table, and picked up the telephone.

“Well, I’ve got it. The letter has a one-cent stamp on it, blue, Benjamin Franklin.”

I could hear my father struggling with some emotion on the other end.

“It’s called the Z Grill. Honey, if you get that stamp back here safely, I promise I’ll send you to Paris.”

I put the phone down. My father never called me, or anyone, honey. And this was the second time that morning I had been promised a trip to Paris. I stared at Mooshum. His hair was a clean silver, swept into a neat tail. His teeth were back in, a white slash in his rumpled face. He was perfectly shaved. His clothes were spotless, shoes polished. He had his handkerchief out to touch the drip off the end of his nose.

Mooshum gave me a significant look that I understood to mean get out of here, so I grabbed Corwin’s hand. We sneaked quickly out, back to the car, and immediately peeled out back onto the road. Once we were driving, we tried again to talk, but nothing came out right. I put my hand on Corwin’s leg, but he just let it sit there and we both fell silent. It was awkward and my arm began to ache with the strain.

“We better start saving for our tickets,” he said before I got out of the car. We were parked in the road outside of my house.

I kissed him, and left. When I looked out the window of the house about ten minutes later, the car was still there. The next time I looked, it was gone.

Aunt Neve kept Mooshum at her house that night. Just as I was about to head back to school the next morning, she pulled up in her yellow Buick. I watched from the doorway as Mooshum extricated himself from the passenger’s side and walked around the front of the car, quick like a young man, brushing his hand across the hood and staring hawklike through the windshield at Aunt Neve. As Aunt Neve drove away, he stood waving slowly. The Buick disappeared, but he didn’t move. He kept his hand in the air until he shrank and became old again. When he finally turned and shuffled toward the house, I walked down the steps and took his arm.

“Awee!” His face was full of emotion as we climbed the steps. “At last, my girl. If only Father Hop Along was here. I almost wish it. At last, I have something to confess.”

I WAS NAMED for Louis Riel’s first love, a girl he met soon after his release from Beauport Asylum, near Quebec in 1878. He had been locked up there for treatment after suffering an attack of uncontrollable laughter during Holy Mass. Riel’s Evelina was blond, tall, humble, and a lover of sweet flowers. It was Mooshum who actually suggested to Mama that she name me for this lost love of Riel’s, and he was always proud that she had taken his suggestion.

FOR MONTHS, ALL winter, in fact, my father held a grudge toward Mooshum for nearly sabotaging his retirement by stealing not only the Z Grill, but a three-cent Swedish stamp issued in 1855 and colored orange instead of blue. That one was returned for insufficient postage. At least Mooshum had used a return address, I observed, looking at the envelope over Christmas break.

“Don’t joke. This is our family’s future,” said my father.

Mooshum had used a harmless paste of flour mixed with spit to stick it onto the envelope. The stamp did not even bear a killer or cancellation, because the postman in Pluto hadn’t known quite how to handle the mistake, except to ask at the door for postage. Dad had gently soaked both stamps off the envelopes and put them back on their album pages. He showed me all of his favorite stamps. Until he agreed to a price by mail, he planned to put the whole collection in a safe-deposit box that was not in his sister’s bank.

In late March, driving to Fargo with the collection, my father hit a patch of black ice and spun off the road, rolling the family car to the edge of a beet field. It was a sudden and deceptive freeze. He was alone, and unconscious, so the stamp albums were left behind. Since the windows were shattered entirely from the frames, much

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