The Plague of Doves - Louise Erdrich [2]
At this point in the story, Mooshum became so agitated that he often acted out the smiting and to our pleasure threw himself upon the floor. He mimed his collapse, then opened his eyes and lifted his head and stared into space, clearly seeing even now the vision of the Holy Spirit, which appeared to him not in the form of a white bird among the brown doves, but in the earthly body of a girl.
Our family has maintained something of an historical reputation for deathless romantic encounters. Even my father, a sedate-looking science teacher, was swept through the Second World War by one promising glance from my mother. And her sister, Aunt Geraldine, struck by a smile from a young man on a passenger train, raised her hand from the ditch she stood in picking berries, and was unable to see his hand wave in return. But something made her keep picking berries until nightfall and camp there overnight, and wait quietly for another whole day on her camp stool until he came walking back to her from the stop sixty miles ahead. My uncle Whitey dated the Haskell Indian Princess, who cut her braids off and gave them to him on the night she died of tuberculosis. In her memory he remained a bachelor until his fifties, when he married a small-town stripper. My mother’s cousin Agathe, or “Happy,” left the convent for a priest and was never heard from again. My brother, Joseph, joined a commune in an act of rash heat. My father’s second cousin John kidnapped his own wife and used the ransom to keep his mistress in Fargo. Despondent over a woman, my father’s uncle, Octave Harp, managed to drown himself in two feet of water. And so on. As with my father, these tales of extravagant encounter contrasted with the modesty of the subsequent marriages and occupations of my relatives. We are a tribe of office workers, bank tellers, book readers, and bureaucrats. The wildest of us (Whitey) is a short-order cook, and the most heroic of us (my father) teaches. Yet this current of drama holds together the generations, I think, and my brother and I listened to Mooshum not only from suspense but for instructions on how to behave when our moment of recognition, or perhaps our romantic trial, should arrive.
The Million Names
IN TRUTH, I thought mine probably had occurred early, for even as I sat there listening to Mooshum my fingers obsessively wrote the name of my beloved up and down my arm or in my hand or on my knee. If I wrote his name a million times on my body, I believed he would kiss me. I knew he loved me, and he was safe in the knowledge that I loved him, but we attended a Roman Catholic grade school in the mid-1960s and boys and girls known to be in love hardly talked to one another and never