The Plague of Doves - Louise Erdrich [36]
“Charles.”
Cuthbert shook his head. “Not the priest’s name. Not even our nickname for you, Holy Track. How do the spirits know you?”
Holy Track told him.
“Everlasting Sky. Good, you were named well. Give that name to the Person who will be waiting for you on the other side. Then you will go to the Anishinaabeg spirit world. Your mama and deydey will be waiting for you there, my boy. Don’t be afraid.”
“Don’t fight the rope,” said Asiginak. His voice shook.
Wildstrand made the four stand up and he refastened the ropes that tied their hands behind them. Emil Buckendorf arranged them on the wagon bed and lowered the loops of rope over their heads and then tightened the loops to fit more snugly.
Henric Gostlin stepped up to the wagon.
“He says he doesn’t want the boy to hang,” said Emil Buckendorf.
One of his brothers said, “Yah, just leave him.”
Eugene Wildstrand’s face darkened with a sudden rush of blood. “Were you there,” he said, looking at Gostlin and the others, one after another. “Were you there, at the place? You were there. You seen it.”
He held their gazes and his face burned strangely in the light.
“The girl,” he continued. “The wife. The two boys. My old friend, too. All of them.”
Emil stared at his brothers until they nodded and looked down at their feet. Henric Gostlin walked away, back down the path, slapping his hat on his thigh. The other men standing next to the horses started as Asiginak and Cuthbert suddenly burst out singing. They began high—Cuthbert’s voice a wild falsetto that cut the air. Asiginak joined him and Holy Track felt almost good, hearing the strength and power of their voices. And the words in the old language.
These white men are nothing
What they do cannot harm me
I will see the face of mystery
They sang the song twice before the Buckendorfs shook themselves and prepared the wagon. Emil steadied the two horses and counted down to whip them at the same time. The boy tried to open his mouth to join in his uncle’s song, but could only hum to himself the tuneless lullaby that his mother had always used to sing him to sleep. The Buckendorfs threw their arms back, cut the horses at the same time, then again, harder. The wagon lurched, stopped, then bucked forward. The men stumbled but did not stop singing. Finally, the horses bolted away. They halted after twenty feet. The men tried to keep singing even as they strangled. The boy was too light for death to give him an easy time of it. He slowly choked as he kicked air and spun. He heard it when Cuthbert, then his uncle, stopped singing and gurgling. Behind his shut eyes, he was seized by black fear, until he heard his mother say, Open your eyes, and he stared into the dusty blue. Then it was better. The little wisps of clouds, way up high, had resolved into wings and they swept across the sky now, faster and faster.
Bitter Tea
MOOSHUM FINISHED TALKING as the storm moved over us—the clouds low and black-bellied. In the yard, the sheets were thrashing wild, the overalls and Mooshum’s work shirts were ballooning out. Even my mother’s pastel underthings were flying straight back, wisps, and her bras corkscrewed around the wooden pins and line. She must have gone somewhere with Geraldine, leaving the baskets to tumble over empty.
I bolted forward as the first big drops splashed on my shoulders and began unpinning the clothes. The clothing flew from my hands, twisted off in the sharp wind. A circle-skirt wound me in its embrace. I was still caught in the story, and it took all of my concentration to struggle across the yard with my thoughts and that clothing into the quiet of the house.
My mother followed me into the kitchen, drenched. She had walked back from our uncle’s place in the rain, but it hadn’t put out her fire. Anyway, it was the kind of rain that passes quickly and leaves the air hot and clear right afterward, so she wasn’t inside for long, talking to Mooshum, before I saw