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By Root 750 0

Peace brothers, Henri and Lafayette, who had once promised to bury him, but who instead had found him meat and hung a crucifix around his neck. More than that, the canoe did not sink to the bottom of the lake, that was one thing. Nor did it stray. That was another. Sure enough, the canoe and its violin had eventually found a Peace through the person and the agency of Shamengwa. That fiddle had searched long for Corwin. I had no doubt. For what stuck in my mind, what woke me in the middle of the night, after the fact of reading it, was the date on the letter. 1888 was the year. But the violin spoke to Shamengwa and called him out onto the lake in a dream almost twenty years later.

“How about that?” I said to Geraldine. “Can you explain such a thing?”

She looked at me steadily.

“We know nothing” is what she said.

I was to marry her. We took in Corwin. The violin lies deep buried, while the boy it also saved plays for money in a traveling band now, and prospers here on the surface of the earth. I do my work. I do my best to make the small decisions well, and I try not to hunger for the great things, for the deeper explanations. For I am sentenced to keep watch over this small patch of earth, to judge its miseries and tell its stories. That’s who I am. Mii’sago iw.

Evelina

The Reptile Garden

IN THE FALL of 1972, my parents drove me to college. Everything I needed was packed in a brand-new royal blue aluminum trunk—a crazy-quilt afghan my mother had crocheted for my bed, a hundred 4-B’s dollars’ worth of brand-new clothes, my Berlitz Self-Teacher, the Meditations by Marcus Aurelius (a paperback copy from Judge Coutts), a framed photograph, a beaded leather tobacco pouch that Mooshum had owned since I could remember, and which he casually handed to me, the way old men give presents, and from my father a stack of self-addressed envelopes each containing a new dollar bill. He had special stamps on each envelope that he wanted postmarked—some on particular days.

The other freshmen were moving into their dormitory rooms with their parents helping haul. I saw boxes of paperbacks, stereo equipment. Dylan albums and acoustic guitars of golden varnished wood. Home-knitted afghans, none as brilliant as mine. Janis posters. Bowie posters. Brightly splashed print sheets, hacky-sacks, stuffed bears. But as we carried my trunk up two flights of stairs, dread invaded me. In spite of my determination to go to Paris, I had actually dreaded leaving home even to go as far as Grand Forks, and in the end my parents did not want me to, either. But I had to go, and here I was. We walked back down the stairs. I was too miserable to cry and I do not remember our final embraces, but I watched my mother and father as they stood beside the car. They waved to me, and that moment is a clear, still picture. I can call it up as if it was a photograph.

My father, so thin and athletic, looked almost frail with shock, while my mother, whose beauty was still remarkable and who was known on the reservation for her silence and reserve, had left off her characteristic gravity. Her face, and my father’s face, were naked with love. It wasn’t something that we talked about—love—and I was terrified of its expression from the lips of my parents. But they allowed me this one clear look at it. Their love blazed from them. And then they left. I think now that everything that was concentrated in that one look—their care in raising me, their patient lessons in every subject they knew to teach, their wincing efforts to give me freedoms, their example of fortitude in work—allowed me to survive myself.

The trunk was quickly emptied, my room was barely filled. I had framed a picture of Mooshum dressed up in his traditional clothes. He had a war club in one hand, but he was smiling in a friendly way, his dentures a startling snow-white. His headdress, a roach with two eagle feathers, bobbed on ballpoint-pen springs attached to fishing swivels. His head was cocked at a jaunty angle. A heart-shaped mirror in the middle of his forehead was supposed to snare