The Pool in the Desert [80]
children in Bedford, where it is cheap and practical. They converse when they meet about the iniquitous prices of dressmakers and the degeneracy of the kind of cook obtainable in England at eighteen pounds a year. Mrs. Gammidge has grown rather portly and very ritualistic. They seldom speak of Simla, and when they do, if too reminiscent a spark appears in Mrs. Mickie's eye, Mrs. Gammidge changes the subject. Kitty Vesey still fills her dance cards at Viceregal functions, though people do not quote her as they used to, and subalterns imagine themselves vastly witty about her colour, which is unimpaired. People often commend her, however, for her good nature to debutantes, and it is admitted that she may still ride with credit in 'affinity stakes'--and occasionally win them.
4. The Pool in the Desert.
I knew Anna Chichele and Judy Harbottle so well, and they figured so vividly at one time against the rather empty landscape of life in a frontier station, that my affection for one of them used to seem little more, or less, than a variant upon my affection for the other. That recollection, however, bears examination badly; Judy was much the better sort, and it is Judy's part in it that draws me into telling the story. Conveying Judy is what I tremble at: her part was simple. Looking back--and not so very far--her part has the relief of high comedy with the proximity of tears; but looking closely, I find that it is mostly Judy, and what she did is entirely second, in my untarnished picture, to what she was. Still I do not think I can dissuade myself from putting it down.
They would, of course, inevitably have found each other sooner or later, Mrs. Harbottle and Mrs. Chichele, but it was I who actually introduced them; my palmy veranda in Rawul Pindi; where the teacups used to assemble, was the scene of it. I presided behind my samovar over the early formalities that were almost at once to drop from their friendship, like the sheath of some bursting flower. I deliberately brought them together, so the birth was not accidental, and my interest in it quite legitimately maternal. We always had tea in the veranda in Rawul Pindi, the drawing-room was painted blue, blue for thirty feet up to the whitewashed cotton ceiling; nothing of any value in the way of a human relation, I am sure, could have originated there. The veranda was spacious and open, their mutual observation had room and freedom; I watched it to and fro. I had not long to wait for my reward; the beautiful candour I expected between them was not ten minutes in coming. For the sake of it I had taken some trouble, but when I perceived it revealing I went and sat down beside Judy's husband, Robert Harbottle, and talked about Pharaoh's split hoof. It was only fair; and when next day I got their impressions of one another, I felt single-minded and deserving.
I knew it would be a satisfactory sort of thing to do, but perhaps it was rather more for Judy's sake than for Anna's that I did it. Mrs. Harbottle was only twenty-seven then and Robert a major, but he had brought her to India out of an episode too colour-flushed to tone with English hedges; their marriage had come, in short, of his divorce, and as too natural a consequence. In India it is well known that the eye becomes accustomed to primitive pigments and high lights; the aesthetic consideration, if nothing else, demanded Robert's exchange. He was lucky to get a Piffer regiment, and the Twelfth were lucky to get him; we were all lucky, I thought, to get Judy. It was an opinion, of course, a good deal challenged, even in Rawul Pindi, where it was thought, especially in the beginning, that acquiescence was the most the Harbottles could hope for. That is not enough in India; cordiality is the common right. I could not have Judy preserving her atmosphere at our tea-parties and gymkhanas. Not that there were two minds among us about 'the case'; it was a preposterous case, sentimentally undignified, from some points of view deplorable. I chose to reserve my point of view, from which
4. The Pool in the Desert.
I knew Anna Chichele and Judy Harbottle so well, and they figured so vividly at one time against the rather empty landscape of life in a frontier station, that my affection for one of them used to seem little more, or less, than a variant upon my affection for the other. That recollection, however, bears examination badly; Judy was much the better sort, and it is Judy's part in it that draws me into telling the story. Conveying Judy is what I tremble at: her part was simple. Looking back--and not so very far--her part has the relief of high comedy with the proximity of tears; but looking closely, I find that it is mostly Judy, and what she did is entirely second, in my untarnished picture, to what she was. Still I do not think I can dissuade myself from putting it down.
They would, of course, inevitably have found each other sooner or later, Mrs. Harbottle and Mrs. Chichele, but it was I who actually introduced them; my palmy veranda in Rawul Pindi; where the teacups used to assemble, was the scene of it. I presided behind my samovar over the early formalities that were almost at once to drop from their friendship, like the sheath of some bursting flower. I deliberately brought them together, so the birth was not accidental, and my interest in it quite legitimately maternal. We always had tea in the veranda in Rawul Pindi, the drawing-room was painted blue, blue for thirty feet up to the whitewashed cotton ceiling; nothing of any value in the way of a human relation, I am sure, could have originated there. The veranda was spacious and open, their mutual observation had room and freedom; I watched it to and fro. I had not long to wait for my reward; the beautiful candour I expected between them was not ten minutes in coming. For the sake of it I had taken some trouble, but when I perceived it revealing I went and sat down beside Judy's husband, Robert Harbottle, and talked about Pharaoh's split hoof. It was only fair; and when next day I got their impressions of one another, I felt single-minded and deserving.
I knew it would be a satisfactory sort of thing to do, but perhaps it was rather more for Judy's sake than for Anna's that I did it. Mrs. Harbottle was only twenty-seven then and Robert a major, but he had brought her to India out of an episode too colour-flushed to tone with English hedges; their marriage had come, in short, of his divorce, and as too natural a consequence. In India it is well known that the eye becomes accustomed to primitive pigments and high lights; the aesthetic consideration, if nothing else, demanded Robert's exchange. He was lucky to get a Piffer regiment, and the Twelfth were lucky to get him; we were all lucky, I thought, to get Judy. It was an opinion, of course, a good deal challenged, even in Rawul Pindi, where it was thought, especially in the beginning, that acquiescence was the most the Harbottles could hope for. That is not enough in India; cordiality is the common right. I could not have Judy preserving her atmosphere at our tea-parties and gymkhanas. Not that there were two minds among us about 'the case'; it was a preposterous case, sentimentally undignified, from some points of view deplorable. I chose to reserve my point of view, from which