THE PORTER'S SON [3]
sent
them to her. He drew the Czar's palace; the old Kremlin at Moscow,
just as it stood, with towers and cupolas; and these cupolas looked
like gigantic green and gold cucumbers, at least in George's
drawing. Little Emily was highly pleased, and consequently, when a
week had elapsed, George sent her a few more pictures, all with
buildings in them; for, you see, she could imagine all sorts of things
inside the windows and doors.
He drew a Chinese house, with bells hanging from every one of
sixteen stories. He drew two Grecian temples with slender marble
pillars, and with steps all round them. He drew a Norwegian church. It
was easy to see that this church had been built entirely of wood, hewn
out and wonderfully put together; every story looked as if it had
rockers, like a cradle. But the most beautiful of all was the
castle, drawn on one of the leaves, and which he called "Emily's
Castle." This was the kind of place in which she must live. That is
what George had thought, and consequently he had put into this
building whatever he thought most beautiful in all the others. It
had carved wood-work, like the Norwegian church; marble pillars,
like the Grecian temple; bells in every story; and was crowned with
cupolas, green and gilded, like those of the Kremlin of the Czar. It
was a real child's castle, and under every window was written what the
hall or the room inside was intended to be; for instance: "Here
Emily sleeps;" "Here Emily dances;" "Here Emily plays at receiving
visitors." It was a real pleasure to look at the castle, and right
well was the castle looked at accordingly.
"Charming!" said the General.
But the old Count- for there was an old Count there, who was still
grander than the General, and had a castle of his own- said nothing at
all; he heard that it had been designed and drawn by the porter's
little son. Not that he was so very little, either, for he had already
been confirmed. The old Count looked at the pictures, and had his
own thoughts as he did so.
One day, when it was very gloomy, gray, wet weather, the brightest
of days dawned for George; for the Professor at the Academy called him
into his room.
"Listen to me, my friend," said the Professor; "I want to speak to
you. The Lord has been good to you in giving you abilities, and He has
also been good in placing you among kind people. The old Count at
the corner yonder has been speaking to me about you. I have also
seen your sketches; but we will not say any more about those, for
there is a good deal to correct in them. But from this time forward
you may come twice a-week to my drawing-class, and then you will
soon learn how to do them better. I think there's more of the
architect than of the painter in you. You will have time to think that
over; but go across to the old Count this very day, and thank God
for having sent you such a friend."
It was a great house- the house of the old Count at the corner.
Round the windows elephants and dromedaries were carved, all from
the old times; but the old Count loved the new time best, and what
it brought, whether it came from the first floor, or from the
cellar, or from the attic.
"I think," said, the porter's wife, "the grander people are, the
fewer airs do they give themselves. How kind and straightforward the
old count is! and he talks exactly like you and me. Now, the General
and his lady can't do that. And George was fairly wild with delight
yesterday at the good reception he met with at the Count's, and so
am I to-day, after speaking to the great man. Wasn't it a good thing
that we didn't bind George apprentice to a handicraftsman? for he
has abilities of his own."
"But they must be helped on by others," said the father.
"That help he has got now," rejoined the mother; "for the Count
spoke out quite clearly and distinctly."
"But I fancy it began with the General," said the father, "and
we must thank them too."
"Let us do so with all my
them to her. He drew the Czar's palace; the old Kremlin at Moscow,
just as it stood, with towers and cupolas; and these cupolas looked
like gigantic green and gold cucumbers, at least in George's
drawing. Little Emily was highly pleased, and consequently, when a
week had elapsed, George sent her a few more pictures, all with
buildings in them; for, you see, she could imagine all sorts of things
inside the windows and doors.
He drew a Chinese house, with bells hanging from every one of
sixteen stories. He drew two Grecian temples with slender marble
pillars, and with steps all round them. He drew a Norwegian church. It
was easy to see that this church had been built entirely of wood, hewn
out and wonderfully put together; every story looked as if it had
rockers, like a cradle. But the most beautiful of all was the
castle, drawn on one of the leaves, and which he called "Emily's
Castle." This was the kind of place in which she must live. That is
what George had thought, and consequently he had put into this
building whatever he thought most beautiful in all the others. It
had carved wood-work, like the Norwegian church; marble pillars,
like the Grecian temple; bells in every story; and was crowned with
cupolas, green and gilded, like those of the Kremlin of the Czar. It
was a real child's castle, and under every window was written what the
hall or the room inside was intended to be; for instance: "Here
Emily sleeps;" "Here Emily dances;" "Here Emily plays at receiving
visitors." It was a real pleasure to look at the castle, and right
well was the castle looked at accordingly.
"Charming!" said the General.
But the old Count- for there was an old Count there, who was still
grander than the General, and had a castle of his own- said nothing at
all; he heard that it had been designed and drawn by the porter's
little son. Not that he was so very little, either, for he had already
been confirmed. The old Count looked at the pictures, and had his
own thoughts as he did so.
One day, when it was very gloomy, gray, wet weather, the brightest
of days dawned for George; for the Professor at the Academy called him
into his room.
"Listen to me, my friend," said the Professor; "I want to speak to
you. The Lord has been good to you in giving you abilities, and He has
also been good in placing you among kind people. The old Count at
the corner yonder has been speaking to me about you. I have also
seen your sketches; but we will not say any more about those, for
there is a good deal to correct in them. But from this time forward
you may come twice a-week to my drawing-class, and then you will
soon learn how to do them better. I think there's more of the
architect than of the painter in you. You will have time to think that
over; but go across to the old Count this very day, and thank God
for having sent you such a friend."
It was a great house- the house of the old Count at the corner.
Round the windows elephants and dromedaries were carved, all from
the old times; but the old Count loved the new time best, and what
it brought, whether it came from the first floor, or from the
cellar, or from the attic.
"I think," said, the porter's wife, "the grander people are, the
fewer airs do they give themselves. How kind and straightforward the
old count is! and he talks exactly like you and me. Now, the General
and his lady can't do that. And George was fairly wild with delight
yesterday at the good reception he met with at the Count's, and so
am I to-day, after speaking to the great man. Wasn't it a good thing
that we didn't bind George apprentice to a handicraftsman? for he
has abilities of his own."
"But they must be helped on by others," said the father.
"That help he has got now," rejoined the mother; "for the Count
spoke out quite clearly and distinctly."
"But I fancy it began with the General," said the father, "and
we must thank them too."
"Let us do so with all my