The Postcard Killers - James Patterson [44]
Dessie was standing in Gabriella’s office, looking out across Kronoberg Park.
Four uniformed police officers and a large Alsatian dog had blocked one of the entrances to the park, a popular shortcut for people heading for the beach or the shops and underground station on Fridhemsplan. Picnic baskets, bags of swimming gear, and expensive attaché cases were all carefully checked without any distinction between them.
The sight ought to have made her feel more secure, but she simply felt guilty.
Jacob came into the room with three plastic wrappers containing sandwiches he had found in a vending machine somewhere.
“Where’s Gabriella?”
“She went down to the video suite to get the recordings from the Grand,” Dessie said, collapsing onto a chair.
Jacob tore open one of the packets and with a healthy appetite took a large bite of the bread and tuna plus mayonnaise. Dessie looked at him and cringed.
“How can you eat?” she asked. “Doesn’t all the violence you see ever affect you?”
“Of course it does,” Jacob said, wiping his chin with the back of his hand. “I was just thinking about how sick these murders are. But it won’t help the Dutch couple if I faint from low blood sugar.”
Dessie leaned her face down into her hands. “I shouldn’t have written that bloody letter.”
Jacob carried on chewing.
“I thought we’d gotten past that.”
She had her cell phone out.
“And now it’s started,” she said. “Just as I thought it would.”
“What has?” Jacob wondered.
“I’m getting calls from the trade press, asking why I’m doing the police’s work for them.”
Jacob gestured with his hand toward the pictures of the dead couple in the hotel room.
“That’s your reality,” he said. “What you’re talking about is pretentious bullshit.”
“Exactly,” she said. “And what if I’m the one who made that reality happen?”
He groaned.
“It’s true,” she said in a low voice. “You said so yourself. They’ve broken their pattern — they’ve killed again in the same city. If I hadn’t let myself be persuaded, this Dutch couple would still be alive.”
“You don’t know that,” Jacob said. “And if they hadn’t died, other young people would have, in some other city.”
She took her hands away from her face.
“What do you mean? That the Dutch couple were sacrificed to a noble cause? What does your lot usually call it, collateral damage?”
The American wiped his fingers on his jeans. His expression had grown dark.
“I never think like that,” he said. “The Dutch couple’s deaths were a tragedy. But you have to lay the blame where it belongs. You didn’t kill them, and neither did I. Those bastards on the recordings did that, and we’re soon going to catch them. Right here in Stockholm. It ends here.”
Chapter 64
THE SUSPECTS FROM THE MUSEUM of Modern Art were identified almost immediately on the security recordings from the Grand Hôtel. They appeared on four different film files: two from the lobby and two from the corridor on the fourth floor.
The fair-haired man and the dark-haired woman were caught on camera in the hotel lobby at 2:17 on the afternoon of June 15.
They were with a couple who were quickly identified as Peter Visser and Nienke van Mourik.
The four of them disappeared together into an elevator.
Two minutes later all four reappeared on another recording, in the corridor outside the Dutch couple’s room on the fourth floor. They all went into room 418 and the door closed.
Forty-three minutes later, the fair-haired man and the dark-haired woman came out into the corridor again.
After another two minutes, they passed the reception desk and left the hotel.
The detectives who had been out to Millesgården came back with results as well.
A woman who worked as a gardener thought she recognized the fair-haired man. She had noticed him as he walked around with a woman in the sculpture garden. At first glance she thought it was the actor Leonardo DiCaprio.
The recordings from the exhibit rooms at Millesgården were requisitioned and were now being checked down in the basement.
Prosecutor Evert Ridderwall had signed an arrest warrant in the pair’s absence.
“This