The Power of Myth - Bill Moyers [29]
That is the clincher there. When you know this, then you have identified with the creative principle, which is the God power in the world, which means in you. It is beautiful.
MOYERS: But Genesis continues: “ ‘Have you eaten of the tree of which I commanded you not to eat?’ The man said, ‘The woman whom thou gavest to be with me, she gave me fruit of the tree, and I ate.’ Then the Lord God said to the woman, ‘What is this that you have done?’ The woman said, ‘The serpent beguiled me, and I ate.’ ”
You talk about buck passing, it starts very early.
CAMPBELL: Yes, it has been tough on serpents. The Bassari legend continues in the same way. “One day Snake said, ‘We too should eat these fruits. Why must we go hungry?’ Antelope said, ‘But we don’t know anything about this fruit.’ Then Man and his wife took some of the fruit and ate it. Unumbotte came down from the sky and asked, ‘Who ate the fruit?’ They answered, ‘We did.’ Unumbotte asked, ‘Who told you that you could eat that fruit?’ They replied, ‘Snake did.’ ” It is very much the same story.
MOYERS: What do you make of it—that in these two stories the principal actors point to someone else as the initiator of the Fall?
CAMPBELL: Yes, but it turns out to be the snake. In both of these stories the snake is the symbol of life throwing off the past and continuing to live.
MOYERS: Why?
CAMPBELL: The power of life causes the snake to shed its skin, just as the moon sheds its shadow. The serpent sheds its skin to be born again, as the moon its shadow to be born again. They are equivalent symbols. Sometimes the serpent is represented as a circle eating its own tail. That’s an image of life. Life sheds one generation after another, to be born again. The serpent represents immortal energy and consciousness engaged in the field of time, constantly throwing off death and being born again. There is something tremendously terrifying about life when you look at it that way. And so the serpent carries in itself the sense of both the fascination and the terror of life.
Furthermore, the serpent represents the primary function of life, mainly eating. Life consists in eating other creatures. You don’t think about that very much when you make a nice-looking meal. But what you’re doing is eating something that was recently alive. And when you look at the beauty of nature, and you see the birds picking around—they’re eating things. You see the cows grazing, they’re eating things. The serpent is a traveling alimentary canal, that’s about all it is. And it gives you that primary sense of shock, of life in its most primal quality. There is no arguing with that animal at all. Life lives by killing and eating itself, casting off death and being reborn, like the moon. This is one of the mysteries that these symbolic, paradoxical forms try to represent.
Now the snake in most cultures is given a positive interpretation. In India, even the most poisonous snake, the cobra, is a sacred animal, and the mythological Serpent King is the next thing to the Buddha. The serpent represents the power of life engaged in the field of time, and of death, yet eternally alive. The world is but its shadow—the falling skin.
The serpent was revered in the American Indian traditions, too. The serpent was thought of as a very important power to be made friends with. Go down to the pueblos, for example, and watch the snake dance of the Hopi, where they take the snakes in their mouths and make friends with them and then send them back to the hills. The snakes are sent back to carry the human message to the hills, just as they have brought the message of the hills to the humans. The interplay of man and nature is illustrated in this relationship with the serpent. A serpent flows like water and so is watery, but its tongue continually flashes fire. So you have the pair of opposites together in the serpent.
MOYERS: In the Christian story the serpent is the seducer.
CAMPBELL: That amounts